Amo988 - Özür Dilerim - Chord

Key G major – E minor Chords Em, Bm, Am Easy key C (capo 7)

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Capo 0

Em
Sevilmek nedir hiç bilemedim
                         Bm
Beni göreni niye ben göremedim

Gösterdiğim ilgi hep fazla
Am
Ben özür dilerim 
                          Em
Sen hep kötüleri seversin demi

Çok geldi sana benim gibi biri
                       Bm
Üzmezse asla üzemem ki seni

Gösterdiğim ilgi hep fazla
Am
Ben özür dilerim
                          Em
Sen hep kötüleri seversin demi

Em
Sevmezsen sevme zaten sevilmeye alışık değilim ben
Bm
Bi kere dönüp yüzüme gülsen o bana (bana) yeter
Am
Kalbin başkasının madem kabullenmek gerek
Em
Gönlümde tutmuşum seni sen yoksan bile

Em
Kaderimden bana bir ceza sevduğum yâr olmuş başkasına
Bm
Gel sen bir de derdime bak sahip çıkmak var duygulara
Am
Kabul etmem zor olacak ama taş koymak ben senin yoluna
Em                          Bm
Nasıl susturayım ben kendini söyle bana

Em
Sevilmek nedir hiç bilemedim
                         Bm
Beni göreni niye ben göremedim

Gösterdiğim ilgi hep fazla
Am
Ben özür dilerim
                          Em
Sen hep kötüleri seversin demi

Çok geldi sana benim gibi biri
                       Bm
Üzmezse asla üzemem ki seni

Gösterdiğim ilgi hep fazla
Am
Ben özür dilerim
                          Em
Sen hep kötüleri seversin demi
 
Em
Bana dur demedin
                        Bm
Gönlüm başkalarında galiba, demedin
                      Am
Gel kalsın bu aşk, daima denedim
              Em
Yetemedi gibi ah

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Amo988 - Özür Dilerim Tabs

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Harmony analysis

Amo988 – Özür Dilerim: key and chord analysis

The song opens on Em and ends on Em. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F# (leading tone, pulls home)
4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = C (the minor's melancholy)
b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the E minor side because it both starts and finishes on Em and Em is heard 12 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree	Chord	Role	Notes	In song
I	G	Tonic — home	G · B · D	—
ii	Am	Supertonic — prepares the dominant	A · C · E	7×
iii	Bm	Mediant — a tonic-family shade	B · D · F#	8×
V/vi	B	Secondary dominant V/vi — leads to Emsecondary dominant	B · D# · F#	—
IV	C	Subdominant — moves away from home	C · E · G	—
V	D	Dominant — strongest pull home	D · F# · A	—
vi	Em	Relative minor — the melancholy side	E · G · B	12×
vii°	F#dim	Leading-tone chord — tension	F# · A · C	—

Seen from E minor
Degree	Chord	Role	Notes	In song
i	Em	Tonic — home	E · G · B	12×
ii°	F#dim	Supertonic — prepares the dominant	F# · A · C	—
III	G	Relative major — the bright side	G · B · D	—
iv	Am	Subdominant — moves away from home	A · C · E	7×
v	Bm	Minor dominant — soft pull	B · D · F#	8×
V	B	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	B · D# · F#	—
VI	C	Submediant — warm colour	C · E · G	—
VII	D	Subtonic — steps back to the tonic	D · F# · A	—

Analysis

The key pair is G major and its relative E minor (1 sharp). 3 different chords appear 27 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Am Em Gii → vi Emiv → iminor plagal ×7
Bm Em Giii → vi Emv → inatural-minor cadence ×1

The move to watch is Am → Em, heard 7 times. From the Em side it is iv → i (minor plagal: deep and melancholic); from the G side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With G major shapes

No capo — open G shapes
Capo 3 + E shapes
Capo 5 + D shapes

With E minor shapes

No capo — open Em shapes
Capo 2 + Dm shapes
Capo 7 + Am shapes

Easiest keys on guitar

5 semitones up · capo 7 keeps the original pitch

The song's harmonic story

The opening Em lays a solid floor for everything that follows. Em, Bm, Am carry the song: vi–iii–ii relative to G, i–v–iv relative to Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am → Em (ii → vi in G, iv → i in Em): minor plagal — deep and melancholic. The final chord is Em; the ear comes to rest in Em.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.