Ece Seçkin - Masum - Chord

Key Eb major – C minor Chords Ab, Fm, Cm, Bb Easy key G

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Capo 0

Ab  Fm  Cm  Bb

           Ab
Hiçbirimiz değiliz masum
           Fm
Hiçbirimiz değiliz masum
             Cm
Kopardım hep kanatlarından ya
           Bb
Sevinmedim hayatta kaldığıma
           Ab
Hiçbirimiz değiliz masum
           Fm
Hiçbirimiz değiliz masum
           Cm
Gözlerimde günahlarım parlar
           Bb
Seviştikçe yalanlar ardında

Ab                          Fm
Doğrular birbirimizde saklı sen göz göre göre kapattın üstlerini
Cm                    Bb
Uğruna yapınca yanlış abarttılar bunu hayal ve düşlerim
Ab                        Fm
Bir kadını nasıl kırarsın hayatta bırakmam deyip gidişleriniz
Cm                       Bb
Hiçbirimiz masum değiliz bu yüzden korkutamazsın ölümle beni

Ab                   Fm
Fırtına öncesi sessizlik
Cm                    Bb
Kızgınım öfkemi sindirdim

           Ab
Hiçbirimiz değiliz masum
           Fm
Hiçbirimiz değiliz masum
             Cm
Kopardım hep kanatlarından ya
           Bb
Sevinmedim hayatta kaldığıma
           Ab
Hiçbirimiz değiliz masum
           Fm
Hiçbirimiz değiliz masum
           Cm
Gözlerimde günahlarım parlar
           Bb
Seviştikçe yalanlar ardında

Ab
Dönmek için kollarıma öde bedelini
Fm
Çok çabaladım bir türlü seni sevemedim
Cm
Yalan söylemek olmuyor bana göre değil
    Bb
Ama fotoğraflarımızda hep gülümsemelerim fake
Ab
Uyuttum ayakta geceleri seni
Fm
Tüm yaptıklarım için özür dilemedim
Cm
Renk katamadım sana siyah içindeyim
     Bb
Sana değer verdim ama bu kız hiç masum değil

           Ab
Hiçbirimiz değiliz masum
           Fm
Hiçbirimiz değiliz masum
             Cm
Kopardım hep kanatlarından ya
           Bb
Sevinmedim hayatta kaldığıma
           Ab
Hiçbirimiz değiliz masum
           Fm
Hiçbirimiz değiliz masum
           Cm
Gözlerimde günahlarım parlar
           Bb
Seviştikçe yalanlar ardında

Ab                   Fm
Fırtına öncesi sessizlik
Cm                    Bb
Kızgınım öfkemi sindirdim

End of song Play again?

Ece Seçkin - Masum Tabs

NotesX

Harmony analysis

Ece Seçkin – Masum: key and chord analysis

The song opens on Ab and ends on Bb. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because Cm is heard 13 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	13×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	—
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	13×
V	Bb	Dominant — strongest pull home	Bb · D · F	13×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	13×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	13×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	13×
v	Gm	Minor dominant — soft pull	G · Bb · D	—
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	13×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	13×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 4 different chords appear 52 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Fm Cm Ebii → vi Cmiv → iminor plagal ×13

The move to watch is Fm → Cm, heard 13 times. From the Cm side it is iv → i (minor plagal: deep and melancholic); from the Eb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

4 semitones up
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

The opening Ab lays a solid floor for everything that follows. Ab, Fm, Cm, Bb carry the song: IV–ii–vi–V relative to Eb, VI–iv–i–VII relative to Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Cm (ii → vi in Eb, iv → i in Cm): minor plagal — deep and melancholic. It closes on Bb, letting the Eb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.