Uğur Etiler - Güz Meleği - Chord

Key Db major – Bb minor Chords Bbm, Ab, Fm, Gbmaj7, Ebm, Gb, Eb Easy key C (capo 1)

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Capo 0

Bbm  Ab  Gbmaj7  Fm  Ebm  Fm  Ebm  Bbm

Bbm
Yorduğu kadar okşasaydı elleri
Ab
Söndüremedi içindeki öfkeyi
    Gbmaj7  Fm        Bbm
Ben sustum   öylece durdum

Bbm
Uzaklara dalıp dalıp giderdi bazen
  Ab                                 Gbmaj7
O cümleleri kurdu ama belki kasten değildi
Fm          Bbm
 Kırıldım işte 

Bbm
Sonuma mı soluma mı bu imza
Ab
Düşürüyor beni bu uçurumda
Ebm               Fm               Eb
Yangınıma körükle geliyor ama bilmiyor
     Ab
Ben onundum

Bbm                          Ab
Kalırsam aşkının gizli yamacında
                       Gb
Kurtar kendini bakma ardına
   Ab          Bbm
Ne olur orda kalayım

Bbm                          Ab
Düşersen unutma beni güz meleği
                            Gb
Tüm renklerim gözlerinde yitti
      Ab            Bbm
Sen beni güzel hatırla

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Uğur Etiler - Güz Meleği Tabs

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Harmony analysis

Uğur Etiler – Güz Meleği: key and chord analysis

The song opens on Bbm and ends on Bbm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C (leading tone, pulls home)
4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Gb (the minor's melancholy)
b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Bb minor side because it both starts and finishes on Bbm and Bbm is heard 11 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree	Chord	Role	Notes	In song
I	Db	Tonic — home	Db · F · Ab	—
ii	Ebm	Supertonic — prepares the dominant	Eb · Gb · Bb	3×
V/V	Eb	Secondary dominant V/V — leads to Absecondary dominant	Eb · G · Bb	1×
iii	Fm	Mediant — a tonic-family shade	F · Ab · C	5×
V/vi	F	Secondary dominant V/vi — leads to Bbmsecondary dominant	F · A · C	—
IVmaj7	Gbmaj7	Subdominant — moves away from home	Gb · Bb · Db · F	3×
IV	Gb	Subdominant — moves away from home	Gb · Bb · Db	2×
V	Ab	Dominant — strongest pull home	Ab · C · Eb	9×
vi	Bbm	Relative minor — the melancholy side	Bb · Db · F	11×
vii°	Cdim	Leading-tone chord — tension	C · Eb · Gb	—

Seen from Bb minor
Degree	Chord	Role	Notes	In song
i	Bbm	Tonic — home	Bb · Db · F	11×
ii°	Cdim	Supertonic — prepares the dominant	C · Eb · Gb	—
III	Db	Relative major — the bright side	Db · F · Ab	—
iv	Ebm	Subdominant — moves away from home	Eb · Gb · Bb	3×
IV	Eb	Major IV — Dorian / melodic-minor colourmodal colour	Eb · G · Bb	1×
v	Fm	Minor dominant — soft pull	F · Ab · C	5×
V	F	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F · A · C	—
VImaj7	Gbmaj7	Submediant — warm colour	Gb · Bb · Db · F	3×
VI	Gb	Submediant — warm colour	Gb · Bb · Db	2×
VII	Ab	Subtonic — steps back to the tonic	Ab · C · Eb	9×

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 7 different chords appear 34 times in total; 6 of them sit naturally inside the shared scale. Eb acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

Ab Bbm DbV → videceptive cadence BbmVII → iAeolian arrival ×3
Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×2
Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×2
Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×1

The move to watch is Ab → Bbm, heard 3 times. From the Bbm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Db side it reads V → vi (deceptive cadence: expected Db, lands on Bbm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Db major shapes

Capo 1 + C shapes
Capo 4 + A shapes
Capo 6 + G shapes

With Bb minor shapes

Capo 1 + Am shapes
Capo 6 + Em shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

Starting on Bbm, the song gives away its key from the very first bar. The chords that keep coming back are Bbm, Ab, Fm, Gbmaj7; read them as vi–V–iii–IVmaj7 in Db or i–VII–v–VImaj7 in Bbm. Eb adds a moment of surprise: secondary dominant V/V — leads to Ab. Keep an ear on Ab → Bbm (V → vi in Db, VII → i in Bbm): Aeolian arrival — rises a whole tone into home. It closes on Bbm, letting the Bbm side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Uğur Etiler - Güz Meleği Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Uğur Etiler

Music: Uğur Etiler

Arrangement: Samet Kılıç

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