Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Bilal Sonses - Görmedim Sen Gibi - Chord
Key Eb major – C minor Chords Ab, Bb, Gm, Fm Easy key D (capo 1)
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Key: Eb | Cm
Capo: 0
Gm Görmedim sen gibi bir hain asla Ab Aldatan, kandıran hep bir yalanla Bb Ab Bb Ab Yar beni sevmez, yar bana gelmez Bb Ab Fm Gm Gelsen de ben öldüm, fayda etmez Gm Yar beni ağlatır, merhameti yok Ab Öldüren bir zehir, hiç adalet yok Bb Ab Bb Ab Ben nasıl sevdim, ah nasıl yandım Bb Ab Fm Gm Kahroldum derdinden, haberin yok Gm Anladım yokluğun en acı gerçek Ab Islanır gözlerim, zor muydu sevmek Bb Ab Bb Ab Hasretim sendin, özlemim sendin Bb Ab Fm Gm Ben sevdim sen buna değer miydin Gm Görmedim sen gibi bir hain asla Ab Aldatan, kandıran hep bir yalanla Bb Ab Bb Ab Yar beni sevmez, yar bana gelmez Bb Ab Fm Gm Gelsen de ben öldüm, fayda etmez
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Bilal Sonses - Görmedim Sen Gibi Tabs
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Harmony analysis
Bilal Sonses – Görmedim Sen Gibi: key and chord analysis
The song opens on Gm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 4× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 8× |
| III | G | Chromatic colour chordoutside the key | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 16× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 12× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | — |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | — |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 4× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 8× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 16× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 12× |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 4 different chords appear 40 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×12
The move to watch is Ab → Bb, heard 12 times. From the Eb side it reads IV → V (IV → V: the lift that builds tension before home); from the Cm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 4 semitones up
The song's harmonic story
The opening Gm lays a solid floor for everything that follows. The backbone is Ab, Bb, Gm, Fm — IV–V–iii–ii from the Eb side, VI–VII–v–iv from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Bb (IV → V in Eb, VI → VII in Cm): IV → V — the lift that builds tension before home. It closes on Gm, letting the Eb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Bilal Sonses - Görmedim Sen Gibi Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ali MetinMusic: Murat GüneşArrangement: Bilal Sonses
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