Ezhel - Bombok (Akustik) - Chord

Key F major – D minor Chords Dm, F, C, Bb Easy key G

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Capo 0

Dm  F  C  Bb

Dm       F                  C                Bb
 Her yeni gün yeni dert yeniden sorular yineler şu kafamda
Dm        F               C                  Bb
 Dostum umut ve ümit ve unutmak olmasa çok kolay boka batmam
Dm       F                   C                 Bb
 Şu insanlara bak ne kadar rahat bu durumdan bu kölelikten
Dm                        F          C                Bb
Ama bırakmazlar beni de rahat onlara halleri nice söylediğimden

Şarkının tamamı bu döngüyle ilerliyor.
Dm  F  C  Bb

Her yanımızı saran kirli boş bilgiler 
Her gün yeni bi dram ama yok incinen
Dünyayı göt kadar bi tuşa indirdiler
Gelsin bildirimler sanal sahte boş ilgiler
Yeşili betonla kapladık, ilerleme dedik
Eğitim adı altında boş feslefe verip
Nasıl adam olabilirsin bi yerlere gelip
Sanıp herkesi ezik

Kafamın içi bombok
Cevap ararım sor sor
Cevap ararım nerede?dermanı deva olan derde

Her yeni gün bir sınav ve de iş ama aç bi şekilde ayakta
Her yere bak bir ekran bir reklam bir okul bi şekilde dayatma
Bir milyar yıldızın arasında bir toz parçası değilsek bile
Bi bir olamadık ya daha,birbiri ardına birbirimizi yedik hep

Kaç kişi sence ayda az paraylan yaşar
Onların parasıyla kim saraylar yapar
Ağlar iken biz 0nlar hep alaylardalar
Çalıp kazanmak yasal, çabaylan yasak

Hiç mi üzülen yok insanın şu durumuna
Harcadık onuru kuruşu kuruşuna
Bunu düşünmekten kafam döner bok çukuruna
Basıp şu sifona uza

Kafamın içi bombok
Cevap ararım sor sor
Cevap ararım nerede?dermanı deva olan derde

İsterim buralardan kaçmak
Onların istediği şey tırsman
Şu yaşadığım içe doğru sıçmak

Kafamın içi bombok
Cevap ararım sor sor
Cevap ararım nerede?dermanı deva olan derde

End of song Play again?

Ezhel - Bombok (Akustik) Tabs

NotesX

Harmony analysis

Ezhel – Bombok (Akustik): key and chord analysis

The song opens on Dm and ends on Bb. Its chords belong to both F major and Dm, so every chord below is read both ways.

Major view

F major

Brightness rank 2/7 (bright)

Characteristic notes

7 = E (leading tone, pulls home)
4 = Bb (the note that leans on the 3rd)

Minor view

D minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Bb (the minor's melancholy)
b7 = C (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the D minor side because it opens on Dm. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from F major
Degree	Chord	Role	Notes	In song
I	F	Tonic — home	F · A · C	6×
ii	Gm	Supertonic — prepares the dominant	G · Bb · D	—
iii	Am	Mediant — a tonic-family shade	A · C · E	—
V/vi	A	Secondary dominant V/vi — leads to Dmsecondary dominant	A · C# · E	—
IV	Bb	Subdominant — moves away from home	Bb · D · F	6×
V	C	Dominant — strongest pull home	C · E · G	6×
vi	Dm	Relative minor — the melancholy side	D · F · A	6×
vii°	Edim	Leading-tone chord — tension	E · G · Bb	—

Seen from D minor
Degree	Chord	Role	Notes	In song
i	Dm	Tonic — home	D · F · A	6×
ii°	Edim	Supertonic — prepares the dominant	E · G · Bb	—
III	F	Relative major — the bright side	F · A · C	6×
iv	Gm	Subdominant — moves away from home	G · Bb · D	—
v	Am	Minor dominant — soft pull	A · C · E	—
V	A	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	A · C# · E	—
VI	Bb	Submediant — warm colour	Bb · D · F	6×
VII	C	Subtonic — steps back to the tonic	C · E · G	6×

Analysis

The key pair is F major and its relative D minor (1 flat). 4 different chords appear 24 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Bb Dm FIV → vi DmVI → iVI → i ×5

The move to watch is Bb → Dm, heard 5 times. From the Dm side it is VI → i (VI → i: falls a half step into home); from the F side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
Over C, land on C, E, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With F major shapes

Capo 1 + E shapes
Capo 3 + D shapes
Capo 5 + C shapes

With D minor shapes

No capo — open Dm shapes
Capo 5 + Am shapes

Easiest keys on guitar

2 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

Starting on Dm, the song gives away its key from the very first bar. Dm, F, C, Bb carry the song: vi–I–V–IV relative to F, i–III–VII–VI relative to Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bb → Dm (IV → vi in F, VI → i in Dm): VI → i — falls a half step into home. The final chord is Bb; the ear comes to rest in F.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.