Ezhel - Kadehimi Boş Bırakma - Chord

Key Eb major – C minor Chords G, Ab Easy key C (capo 3)

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Capo 0

G  Ab  G  Ab
(Tüm şarkı boyunca aynı akor döngüsü devam eder)

                 G
Buzlu rakım Tekirdağ bitti meze getir daha
                                   Ab
Keyiflerim çakırda çitliyorum çekirdağı
                 G
Bekrileriz şekil sağlam mezemiz tarator
               Ab
Günün sonu karakol kafamız imparator
          G
Evim gibi meyhane ben içinde beyzade
            Ab
Ben çalarım kanunu sen de üfle ney bari
Rakıları koy kokar kanım anason
Rakım antidepresan verir acılara son
Bembeyazdır kar gibi eder canavar beni
Yıktırıyor masaları şakırtır açar dili
Yanında da incem karışır nefesimlen
İçiyorum sütümü aslanın memesinden
Yol gibi duble koyuyorum dur de
Türk sanat müziği okuyoruz iki kuple
Yetmişliğim bitince diyorum "aga tüh be"
Dökülüyor dilimizden acılı bi’ güfte
         G
Kadehimi boş

G               Ab
Of kadehimi boş bırakma
G               Ab
Doldur sakim doldur
                    G
Doldur kadehimi boş bırakma
                 Ab
Dökerim başımdan aşağı
                       G
Hatta sensiz yapamam hayatta
             Ab                   G
Deseler de "abartma" kadehimi boş bırakma

Her gün her hafta masamız terasta
Alır derdi kederimi yok olur telaş da
Şişe gibi bitiyor her ilişki her aşk da
Uğraşırız bulmak için çekeriz meşakkat
Damıtırım distile kurban ola'm ismine
Yürüyemem düz bana bakıp derler “cins mi ne?”
Ne zaman içersem içeyim tadı nefis yine
Bir oturuşta bitiririz koca yetmişliği

Of bulutlardan beyza beyaz inci gibi
Gözümün yaşı damlar şişenin dibine
Doksan dokuz yarem var biri bitmedi ki
Bana sensin derman beyazım yeşilin gelini

Of kadehimi boş bırakma
Doldur sakim doldur
Doldur kadehimi boş bırakma
Dökerim başımdan aşağı
Hatta sensiz yapamam hayatta
Deseler de “abartma” kadehimi boş bırakma

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Ezhel - Kadehimi Boş Bırakma Tabs

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Harmony analysis

Ezhel – Kadehimi Boş Bırakma: key and chord analysis

The song opens on G and ends on G. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)
#7 = B (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	—
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	—
III	G	Chromatic colour chordoutside the key	G · B · D	11×
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	9×
V	Bb	Dominant — strongest pull home	Bb · D · F	—
vi	Cm	Relative minor — the melancholy side	C · Eb · G	—
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	—
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	—
v	Gm	Minor dominant — soft pull	G · Bb · D	—
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	11×
VI	Ab	Submediant — warm colour	Ab · C · Eb	9×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	—

Analysis

The key pair is Eb major and its relative C minor (3 flats). 2 different chords appear 20 times in total; 1 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
When G comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The opening G lays a solid floor for everything that follows. The chords that keep coming back are G, Ab; read them as III–IV in Eb or V–VI in Cm. G is the interesting twist: in Eb it is a chromatic chord (III), while in Cm it becomes the dominant (V) that makes the minor side sound so determined. It closes on G, letting the Eb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.