Ezhel - Kaybet - Chord

Key F major – D minor Chords Gm7, Dm7, C, Bbmaj7, B Easy key G

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Capo 0

Gm7            Bbmaj7                     Dm7
 Zaferlerimden aktı onca ter ve gözyaşı kaybet
                 C                            Gm7
Tüm hıncımın çocuğuydu yazdığım bu söz yazı kaybet
              Bbmaj7                        Dm7
Elimden hepsi geldiğinden sandılar kolay hayret
                        C
Düştüğüm her ana borcum var
                     Gm7
Kazanabilmek için kaybet

Gm7                     Bbmaj7
Kaybet kaybet kaybet kaybet
              Dm7
Kaybettikçe kazandım
          C                  Gm7
Ettiğim fedalara, ödeyemem bedavadan
                        Bbmaj7
Kaybet kaybet kaybet kaybet
              Dm7                C
Kaybettikçe anlamlı her çaba her gayret
              Gm7
Dilediğin kez kaybet

Gm7   Bbmaj7                        Dm7 
      Hayatı cilvesiyle sevdiğimden olsa gerek
C                              Gm7
Çukur tepe hep önde engel onca yolda
      Bbmaj7                                Dm7
Sorma bu denli dertten sonra sen de dersin "neymiş"
C                                      Gm7
Neymiş? Nedir derdi insanların (ben)le oysa
    Bbmaj7                 Dm7
Elimde ne varsa paylaştığımdan mı?
   C                     Gm7
Dermanım dertlerime olur yancı 
     Bbmaj7               Dm7
Başardığını görmek istemezler asla 
     C                       Gm7
Düşünce üstüne basıp derler "kalkma"

Gm7                     Bbmaj7
Kaybet kaybet kaybet kaybet
              Dm7
Kaybettikçe kazandım
          C                  Gm7
Ettiğim fedalara, ödeyemem bedavadan
                        Bbmaj7
Kaybet kaybet kaybet kaybet
              Dm7                C
Kaybettikçe anlamlı her çaba her gayret
              Gm7
Dilediğin kez kaybet

Gm7  B  Dm7  C
x2

Gm7                     Bbmaj7
Baş üryan sine püryan kılıç
                        Dm7
Al senden alınmış her yılı çal
                        C
Neler kattı bana mağlubiyetler
                       Gm7
Yavaştan ayandır malum niyetler
                     Bbmaj7
Tökezledikçe dengemi bulurum
                       Dm7
Karanlık vadilerde rab çobanım
                        C
O yüzden korkusu yok bu kuzunun
                        Gm7
Derdi kederleri hayatın huzurum
                            Bbmaj7
Ellerimden kayıp giden nice zamandan
                          Dm7
Geriye kalanlara saldım selam
                          C
Yine de hatıralar bastığı an
                        Gm7
İçimdeki hüzünden ayrılamam
                           Bbmaj7
Çeviririm bende onu benzinime
                             Dm7
Atar görünce kaderin benzi bile
                        C
Borçluyum cahil gençliğime
                        Gm7
Dileyebildiğin kadar kaybet


Gm7                     Bbmaj7
Kaybet kaybet kaybet kaybet
              Dm7
Kaybettikçe kazandım
          C                  Gm7
Ettiğim fedalara, ödeyemem bedavadan
                        Bbmaj7
Kaybet kaybet kaybet kaybet
              Dm7                C
Kaybettikçe anlamlı her çaba her gayret
              Gm7
Dilediğin kez kaybet

End of song Play again?

Ezhel - Kaybet Tabs

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Harmony analysis

Ezhel – Kaybet: key and chord analysis

The song opens on Gm7 and ends on Gm7. Its chords belong to both F major and Dm, so every chord below is read both ways.

Major view

F major

Brightness rank 2/7 (bright)

Characteristic notes

7 = E (leading tone, pulls home)
4 = Bb (the note that leans on the 3rd)

Minor view

D minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Bb (the minor's melancholy)
b7 = C (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the D minor side because Dm is heard 17 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from F major
Degree	Chord	Role	Notes	In song
I	F	Tonic — home	F · A · C	—
ii7	Gm7	Supertonic — prepares the dominant	G · Bb · D · F	23×
iii	Am	Mediant — a tonic-family shade	A · C · E	—
V/vi	A	Secondary dominant V/vi — leads to Dmsecondary dominant	A · C# · E	—
IVmaj7	Bbmaj7	Subdominant — moves away from home	Bb · D · F · A	16×
#IV	B	Chromatic colour chordoutside the key	B · D# · F#	1×
V	C	Dominant — strongest pull home	C · E · G	17×
vi7	Dm7	Relative minor — the melancholy side	D · F · A · C	17×
vii°	Edim	Leading-tone chord — tension	E · G · Bb	—

Seen from D minor
Degree	Chord	Role	Notes	In song
i7	Dm7	Tonic — home	D · F · A · C	17×
ii°	Edim	Supertonic — prepares the dominant	E · G · Bb	—
III	F	Relative major — the bright side	F · A · C	—
iv7	Gm7	Subdominant — moves away from home	G · Bb · D · F	23×
v	Am	Minor dominant — soft pull	A · C · E	—
V	A	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	A · C# · E	—
VImaj7	Bbmaj7	Submediant — warm colour	Bb · D · F · A	16×
#VI	B	Chromatic colour chordoutside the key	B · D# · F#	1×
VII	C	Subtonic — steps back to the tonic	C · E · G	17×

Analysis

The key pair is F major and its relative D minor (1 flat). 5 different chords appear 74 times in total; 4 of them sit naturally inside the shared scale. B step outside the scale as colour chords.

Chord movement

Bbmaj7 Dm7 FIVmaj7 → vi7 DmVImaj7 → i7VI → i ×16

The move to watch is Bbmaj7 → Dm7, heard 16 times. From the Dm side it is VImaj7 → i7 (VI → i: falls a half step into home); from the F side it reads IVmaj7 → vi7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
Over C, land on C, E, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With F major shapes

Capo 1 + E shapes
Capo 3 + D shapes
Capo 5 + C shapes

With D minor shapes

No capo — open Dm shapes
Capo 5 + Am shapes

Easiest keys on guitar

2 semitones up
5 semitones down · capo 5 keeps the original pitch

The song's harmonic story

The opening Gm7 lays a solid floor for everything that follows. The chords that keep coming back are Gm7, Dm7, C, Bbmaj7; read them as ii7–vi7–V–IVmaj7 in F or iv7–i7–VII–VImaj7 in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbmaj7 → Dm7 (IVmaj7 → vi7 in F, VImaj7 → i7 in Dm): VI → i — falls a half step into home. The final chord is Gm7; the ear comes to rest in F.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.