Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Caner Karamukluoğlu - Yağmur - Chord
Key Db major – Bb minor Chords Gb, Db, Ab, Bbm, Fm, Ebm Easy key G (capo 6)
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Key: Db | A#m | Bbm
Capo: 0
Bbm Db Ab Ebm Bbm Db Ab Gb
Fm Gb
Gördüm çok uzaktan bizim için gelenleri
Fm Gb
Elimizden aldılar savunmasız çocuk hayalleri
Db Gb
Bir sevgilim vardı yalnızlığım vardı biraz derin
Db Gb
Sessizliğim vardı uzaklara dalardı biraz derin
Ab Gb
Ama çok çok çok çok ağladım, çok çok çok ağladım
Ab Gb
Çok çok çok ağladım, çok çok çok ağladım
Bbm Db Ab Gb Bbm Db
Her gün yağmur yağdırın temizlenir sokaklarım
Ab Gb Bbm Db Ebm Gb
Bana mısın der ağlarım, artık kırık olsa da kanatlarım
Bbm Db Ab Gb
Yakındadır uzaklarım umutludur sabahlarım
Fm Gb
Gördüm çok uzaktan bizim için gelenleri
Fm Gb
Elimizden aldılar savunmasız çocuk hayalleri
Db Gb
Bir sevgilim vardı yalnızlığım vardı biraz derin
Db Gb
Sessizliğim vardı uzaklara dalardı biraz derin
Ab Gb
Ama çok çok çok çok ağladım, çok çok çok ağladım
Ab Gb
Çok çok çok ağladım, çok çok çok ağladım
Bbm Db Ab Gb Bbm Db
Her gün yağmur yağdırın temizlenir sokaklarım
Ab Gb Bbm Db Ebm Gb
Bana mısın der ağlarım, artık kırık olsa da kanatlarım
Bbm Db Ab Gb
Yakındadır uzaklarım umutludur sabahlarım
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Caner Karamukluoğlu - Yağmur Tabs
NotesX
Harmony analysis
Caner Karamukluoğlu – Yağmur: key and chord analysis
The song opens on Bbm and ends on Gb. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Db major and Bb minor because it opens on Bbm and Db is heard 14 times against 10 for Bbm. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 14× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 3× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 4× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 21× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 12× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 10× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 10× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | 14× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 3× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 4× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 21× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 12× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 6 different chords appear 64 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Gb Bbm DbIV → vi BbmVI → iVI → i ×8
- Gb Db DbIV → Iplagal cadence BbmVI → III ×4
- Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×4
- Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×1
The move to watch is Gb → Bbm, heard 8 times. From the Db side it reads IV → vi; from the Bbm side it is VI → i (VI → i: falls a half step into home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The opening Bbm lays a solid floor for everything that follows. The chords that keep coming back are Gb, Db, Ab, Bbm; read them as IV–I–V–vi in Db or VI–III–VII–i in Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gb → Bbm (IV → vi in Db, VI → i in Bbm): VI → i — falls a half step into home. Ending on Gb, the song seals Db as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Caner Karamukluoğlu - Yağmur Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Caner KaramukluoğluMusic: Caner Karamukluoğlu
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