Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
İrem Candar - Sevmeye Geldik (Fırat Tanış) - Chord
Key Eb major – C minor Chords Fm, Cm, Bb, G, Ab Easy key C (capo 3)
No ratings yet
or your user informations
Make it yours
Text size
Key: Eb | Cm
Capo: 0
Fm Cm Fm Cm Ab Ab Bb G
Fm Cm Fm Cm Ab Ab Bb Bb
Fm
Bir duygu çiçeği tenim
Cm Bb
Açtıkça renklenir içim
G
Ve yükselir ritmim
Fm
Bir sade defne yaprağı
Cm
Akar durur yeşil yeşil
Bb G
Öylece temizlenir içim
Fm Cm
Nefes almak gibi
Fm Cm
Rüzgarında savrulmak gibi
Ab
Sevmeye geldik
Bb G
Sevmeye geldiik
Bb
Sevmeye geldik
Fm
Yastıkların huzurunda
Cm
Gözlerin pınarında
Bb
Yenilenen akışında
G
Olmaya geldik
Fm Cm
Yersiz kavgalar
Bb G
Sevmek varken turnalarıı
Ab G
Uçurmaya geldik, uçurmaya geldiiiik
Fm Cm
Nefes almak gibi
Fm Cm
Rüzgarında savrulmak gibi
Ab
Sevmeye geldik
Bb G
Sevmeye geldiik
Bb
Sevmeye geldik
End of song Play again?
İrem Candar - Sevmeye Geldik (Fırat Tanış) Tabs
NotesX
Harmony analysis
İrem Candar – Sevmeye Geldik (Fırat Tanış): key and chord analysis
The song opens on Fm and ends on Bb. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
- #7 = B (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because Cm is heard 12 times while Eb never appears and the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 12× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | 8× |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 7× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 11× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 12× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 12× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 12× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | 8× |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 7× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 11× |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 50 times in total; 4 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G is V/vi, a secondary dominant heading for Cm.
Chord movement
- Fm Cm Ebii → vi Cmiv → iminor plagal ×12
- Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×4
The move to watch is Fm → Cm, heard 12 times. From the Cm side it is iv → i (minor plagal: deep and melancholic); from the Eb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- When G comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
Starting on Fm, the song gives away its key from the very first bar. The backbone is Fm, Cm, Bb, G — ii–vi–V–V/vi from the Eb side, iv–i–VII–V from the Cm side. G is the interesting twist: in Eb it is a chromatic chord (V/vi), while in Cm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Fm → Cm (ii → vi in Eb, iv → i in Cm): minor plagal — deep and melancholic. It closes on Bb, letting the Eb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
İrem Candar - Sevmeye Geldik (Fırat Tanış) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: İrem CandarMusic: İrem CandarArrangement: Sefa Hendem
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.