Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Ogün Sanlisoy - Gel Dünyama - Chord
Key C major – A minor Chords Am, G, Bb, Dm, C Easy key G (capo 5)
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Key: C | Am
Capo: 0
Am C G Am Am Am Gördüm, Duydum, Süslü Yalanlara Doydum G Am Am Bb Am Attım Kendimi Yine Korlara Am Yandım Söndüm, Külleri Kalbime Gömdüm G Am Bıraktım Kendimi Rüzgârlara Am Am C G Am Aklımda Her Bir Hecen Am Am C G Am Günlerdir Hiç Susmadın Am Am C Dm G Yalnızken Geçmez Gecen G Artık Sabrım Kalmadı Am G Gel Dünyama Dm Bb Hadi Kaçalım, Doya Doya Konuşalım Am G Dal Rüyaya Dm Bb Hadi Uçalım, Sevişelim, Barışalım Am G Am C G Am Am Bak Dünyaya, Büyük Işkence Am Yürüdüm Durdum, Engellere Taşlara Vurdum G Am Am Bb Am Kalktım Koştum, Yeni Yollara Am Düştüm, Suçtum, Uslanmaz Bi' Çocuktum G Am Bıraktım Yine Kendimi Kollara Am Am C G Am Aklımda Her Bir Hecen Am Am C G Am Günlerdir Hiç Susmadın Am Am C Dm G Yalnızken Geçmez Gecen G Artık Sabrım Kalmadı Am G Gel Dünyama Dm Bb Hadi Kaçalım, Doya Doya Konuşalım Am G Dal Rüyaya Dm Bb Hadi Uçalım, Sevişelim, Barışalım Am G Am C G Am Am Bak Dünyaya, Büyük Işkence Am G Gel Dünyama Dm Bb Hadi Kaçalım, Doya Doya Konuşalım Am G Dal Rüyaya Dm Bb Hadi Uçalım, Sevişelim, Barışalım Am G Dm Bb Gel Dünyama Am G Dm Bb Dal Rüyaya Am G Dm Bb Bak Dünyaya
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Ogün Sanlisoy - Gel Dünyama Tabs
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Harmony analysis
Ogün Sanlisoy – Gel Dünyama: key and chord analysis
The song opens on Am and ends on Bb. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it opens on Am and Am is heard 48 times against 9 for C. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | 9× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 11× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | — |
| V | G | Dominant — strongest pull home | G · B · D | 26× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 48× |
| bVII | Bb | bVII — borrowed (Mixolydian / parallel minor)borrowed chord | Bb · D · F | 11× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 48× |
| bII | Bb | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | Bb · D · F | 11× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | 9× |
| iv | Dm | Subdominant — moves away from home | D · F · A | 11× |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | — |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 26× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 5 different chords appear 105 times in total; 4 of them sit naturally inside the shared scale. Bb is borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
- G Am CV → videceptive cadence AmVII → iAeolian arrival ×15
- Dm G Cii → Vii → V Amiv → VII ×2
The move to watch is G → Am, heard 15 times. From the Am side it is VII → i (Aeolian arrival: rises a whole tone into home); from the C side it reads V → vi (deceptive cadence: expected C, lands on Am). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- On Bb, follow the chord's notes (Bb · D · F) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
Starting on Am, the song gives away its key from the very first bar. Am, G, Bb, Dm carry the song: vi–V–bVII–ii relative to C, i–VII–bII–iv relative to Am. Bb briefly darkens the picture: bvii — borrowed (mixolydian / parallel minor). Keep an ear on G → Am (V → vi in C, VII → i in Am): Aeolian arrival — rises a whole tone into home. It closes on Bb, letting the C side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ogün Sanlisoy - Gel Dünyama Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ogün SanlisoyMusic: Ogün Sanlisoy
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