Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Furkan Kızılay - Herşey Senle - Chord
Key F major – D minor Chords Dm, A, Bb, C, F, G, Gm Easy key C (capo 5)
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Key: F | Dm
Capo: 0
F Bb C A Dm
F Bb C Dm
Dm G
Sanki ilk baktığım gözlerdi gözlerin
Bb A
Duyduğum en güzel şarkı sesin
Dm G
Sabah uyanmak artık başka çok başka
Bb A
Çünkü sabahlar artık senle hep senle
Bb C Dm
Nanana nanana nanana
F Dm Gm Dm
Her şey senle ilk aşk belki senle
C A Dm
Senle senle karışmak güzel senle
F Dm Gm Dm
Her şey senle hayaller güzel senle
C A Dm
Senle senle hep senle
Dm G
Sanki ilk tuttuğum ellerdi ellerin
Bb A
Yağmur yağmur ıslak tenin
Dm G
Gece ayışığı artık başka çok başka
Bb A
Çünkü geceler artık senle hep senle
Bb C Dm
Nanana nanana nanana
F Dm Gm Dm
Her şey senle ilk aşk belki senle
C A Dm
Senle senle karışmak güzel senle
F Dm Gm Dm
Her şey senle hayaller güzel senle
C A Dm
Senle senle hep senle
End of song Play again?
Furkan Kızılay - Herşey Senle Tabs
NotesX
Harmony analysis
Furkan Kızılay – Herşey Senle: key and chord analysis
The song opens on F and ends on Dm. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
- #7 = C# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it comes to rest on Dm, it opens on F, Dm is heard 20 times against 6 for F and the major V chord points straight at Dm. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | 6× |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 4× |
| V/V | G | Secondary dominant V/V — leads to Csecondary dominant | G · B · D | 4× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | — |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | 9× |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 8× |
| V | C | Dominant — strongest pull home | C · E · G | 8× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 20× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 20× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | 6× |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 4× |
| IV | G | Major IV — Dorian / melodic-minor colourmodal colour | G · B · D | 4× |
| v | Am | Minor dominant — soft pull | A · C · E | — |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | 9× |
| VI | Bb | Submediant — warm colour | Bb · D · F | 8× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 8× |
Analysis
The key pair is F major and its relative D minor (1 flat). 7 different chords appear 59 times in total; 5 of them sit naturally inside the shared scale. The major V of Dm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from F, the same A is V/vi, a secondary dominant heading for Dm. G acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- A Dm FV/vi → vi DmV → iharmonic-minor cadence ×7
- Gm Dm Fii → vi Dmiv → iminor plagal ×4
- Bb C FIV → VIV → V DmVI → VIIVI → VII ×4
- C Dm FV → videceptive cadence DmVII → iAeolian arrival ×3
The move to watch is A → Dm, heard 7 times. From the Dm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the F side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- When A comes, swap the scale's C for C#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
Starting on F, the song gives away its key from the very first bar. The backbone is Dm, A, Bb, C — vi–V/vi–IV–V from the F side, i–V–VI–VII from the Dm side. A is the interesting twist: in F it is a chromatic chord (V/vi), while in Dm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on A → Dm (V/vi → vi in F, V → i in Dm): harmonic-minor cadence — the major V resolves dramatically. Ending on Dm, the song seals Dm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Furkan Kızılay - Herşey Senle Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Furkan KızılayMusic: Furkan Kızılay
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