Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Buray - Adım Adım - Chord
Key C major – A minor Chords F, G, Dm, Em, Am, Bm7b5, A7 Easy key G (capo 5)
No ratings yet
or your user informations
Make it yours
Text size
Key: C | Am
Capo: 0
Am F
Kapında aşığındı nice sevdalar
G F G
Hiç açmadın bakmadın bile aralıklardan
Am F
Sadece avundum senden kalanla
G F G
Çok Hasar aldım iyileşemedim geçmedi yaram
Am F
Kaç kere taşındım adres sormadan
Dm G F Em
Kendimi unuttum sen bi kere bile çıkmadın aklımdan
Am F
Durmadan ne duydun çektiğim azaptan
Dm G F Em
Hiç başaramadım her gece ağladım gittin ardından
Em Dm G
Doldurdum boşalttım kadehleri
Dm Am F Em
Siler diye geçmişten kalan izleri
Dm G A7
Diner diye bana yaşattığın bu ızdırap
Dm F Bm7b5 Em
Yaktım sana ait ne varsa her şeyi
Em Dm Em
Geceden gündüze sensiz çıkamadım
Dm Am
Kaç yıl geçirdim aradan sayamadım
Dm G Am
Kapıldım karanlığa gidiyorum
F Bm7b5 Em
Sona varıyorum sanki adım adım
End of song Play again?
Buray - Adım Adım Tabs
NotesX
Harmony analysis
Buray – Adım Adım: key and chord analysis
The song opens on Am and ends on Em. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it opens on Am and Am is heard 7 times while C never appears. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 9× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | 8× |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | 11× |
| V | G | Dominant — strongest pull home | G · B · D | 9× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 7× |
| V7/ii | A7 | Secondary dominant V/ii — leads to Dmsecondary dominant | A · C# · E · G | 1× |
| viiø7 | Bm7b5 | Leading-tone chord — tension | B · D · F · A | 2× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 7× |
| V7/iv | A7 | Secondary dominant V/iv — leads to Dmsecondary dominant | A · C# · E · G | 1× |
| iiø7 | Bm7b5 | Supertonic — prepares the dominant | B · D · F · A | 2× |
| III | C | Relative major — the bright side | C · E · G | — |
| iv | Dm | Subdominant — moves away from home | D · F · A | 9× |
| v | Em | Minor dominant — soft pull | E · G · B | 8× |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | 11× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 9× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 7 different chords appear 47 times in total; 6 of them sit naturally inside the shared scale. A7 acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Dm G Cii → Vii → V Amiv → VII ×5
- F G CIV → VIV → V AmVI → VIIVI → VII ×4
- G Am CV → videceptive cadence AmVII → iAeolian arrival ×3
- Dm Am Cii → vi Amiv → iminor plagal ×2
- Em Am Ciii → vi Amv → inatural-minor cadence ×1
- A7 Dm CV7/ii → iisecondary resolution AmV7/iv → iv ×1
The move to watch is Dm → G, heard 5 times. From the Am side it is iv → VII; from the C side it reads ii → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
The opening Am lays a solid floor for everything that follows. The backbone is F, G, Dm, Em — IV–V–ii–iii from the C side, VI–VII–iv–v from the Am side. A7 adds a moment of surprise: secondary dominant V/ii — leads to Dm. Keep an ear on Dm → G (ii → V in C, iv → VII in Am): ii → V — the classic preparation of the dominant. The final chord is Em; the ear comes to rest in C.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Buray - Adım Adım Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Gözde AnçelMusic: Gözde Ançel
Buray
Buray
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.