Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Mabel Matiz - Çukur - Chord
Key Ab major – F minor Chords Fm, Cm, Bbm, C#, Eb, Db Easy key G (capo 1)
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Key: Ab | Fm
Capo: 0
Fm Cm Bbm Eb
Tutamadım ateşimi, kül ediyor beni
Fm Cm Db Eb
Susma gönül söyle ona ben bu derde dayanamam
Fm Bbm C# Cm
Sorma dikene sorma, bilmez günümü benden iyi
Fm Bbm C# Cm
Dar öğrenilir darda, geçti ayazım getirme geri
Fm Bbm C# Cm
Sorma dikene sorma, bilmez günümü benden iyi
Fm Bbm C# Cm
Yak bi cigara yak da söndürmeyelim
Bbm Cm Fm
Kazdıkça büyüyor aaaah çukuru kalbimin
Bbm Cm Fm
Yaza yaza delindi satırı mektubun
Bbm Cm Fm
Kalmadım ben bana, kör düğüm bu canım
Bbm
Çözen yok, çözülsem bile
Cm Fm
Görecek mi gözüm
C# Eb Fm
Çözülsem bile, görecek mi gözüm
Bbm Cm Fm Fm
Fm Cm Bbm Eb
Kükrediler, durmadılar, körpe kanadımı kırdılar
Fm Cm Db Eb
Susma gönül söyle ona ben evlerde duramam
Fm Bbm C# Cm
Sorma dikene sorma, bilmez günümü benden iyi
Fm Bbm C# Cm
Dar öğrenilir darda, geçti ayazım getirme geri
Fm Bbm C# Cm
Sorma dikene sorma, bilmez günümü benden iyi
Fm Bbm C# Cm
Yak bi cigara yak da söndürmeyelim
Bbm Cm Fm
Kazdıkça büyüyor aaaah çukuru kalbimin
Bbm Cm Fm
Yaza yaza delindi satırı mektubun
Bbb Cm Fm
Kalmadım ben bana, kör düğüm bu canım
Bbm
Çözen yok, çözülsem bile
Cm Fm
Görecek mi gözüm
C# Eb Fm
Çözülsem bile, görecek mi gözüm
End of song Play again?
Mabel Matiz - Çukur Tabs
NotesX
Harmony analysis
Mabel Matiz – Çukur: key and chord analysis
The song opens on Fm and ends on Fm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it both starts and finishes on Fm and Fm is heard 23 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 18× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 20× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | C# | Subdominant — moves away from home | C# · E# · G# | 10× |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 2× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 6× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 23× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 23× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 18× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 20× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | C# | Submediant — warm colour | C# · E# · G# | 10× |
| VI | Db | Submediant — warm colour | Db · F · Ab | 2× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 6× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 6 different chords appear 79 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×14
- Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×6
- Bbm Eb Abii → Vii → V Fmiv → VII ×2
- Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×2
- C# Eb AbIV → VIV → V FmVI → VIIVI → VII ×2
The move to watch is Cm → Fm, heard 14 times. From the Fm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Ab side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 4 semitones up
The song's harmonic story
Starting on Fm, the song gives away its key from the very first bar. The chords that keep coming back are Fm, Cm, Bbm, C#; read them as vi–iii–ii–IV in Ab or i–v–iv–VI in Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Cm → Fm (iii → vi in Ab, v → i in Fm): natural-minor cadence — gentle, modal arrival. The final chord is Fm; the ear comes to rest in Fm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mabel Matiz - Çukur Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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