Ciwan Haco - Dil Ketime - Chord

Key F major – D minor Chords Am, G, Bb, Dm Easy key C (capo 5)

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Capo 0

Am  Am  Am  Am  Bb  Am  Am  Am  Am  G

Am
Dil ketime dil ketime
                    Bb
Cara peşî dil ketime
Am
Dil ketime dil ketime
                    G
Cara peşî dil ketime

Am                                Bb
Guherî guherî, ev delal min guherî
Am                                G
Guherî guherî, ev delal min guherî

Am
Dil da min dil da min
                     Bb
Ve nazdare dil da min
Am
Dil da min dil da min
                     G
Ve nazdare dil da min

Am
Min soz da, we soz da min
                       Bb
Bûye parçek ji cane min
Am
Min soz da, we soz da min
                       G
Bûye parçek ji cane min

Am                                               Bb
Min maçek ji wan leva xwest, heyrana bejna bilind
Am                                               G
Min maçek ji wan leva xwest, heyrana bejna bilind

Dm
Wî kene renge reng, dile min kiriye wek pereng

Am
Dil ketime dil ketime
                    Bb
Cara peşî dil ketime
Am
Dil ketime dil ketime
                    G
Cara peşî dil ketime

Am
Wek serxweşek be hiş
                      G
Ketime riya çep û rast

Am                                Bb
Guherî guherî, ev delal min guherî
Am                                G
Guherî guherî, ev delal min guherî

Am                             Bb
Qediya qediya, şeva dawî hejiya
Am                             G
Qediya qediya, şeva dawî hejiya

Dm
Min maçek ji wan leva xwest, heyrana bejna bilind

Wî kene renge reng, dile min kiriye wek pereng

Am
Dil ketime dil ketime
                    Bb
Cara peşî dil ketime
Am
Dil ketime dil ketime
                    G
Cara peşî dil ketime

End of song Play again?

Ciwan Haco - Dil Ketime Tabs

NotesX

Harmony analysis

Ciwan Haco – Dil Ketime: key and chord analysis

The song opens on Am and ends on G. Its chords belong to both F major and Dm, so every chord below is read both ways.

Major view

F major

Brightness rank 2/7 (bright)

Characteristic notes

7 = E (leading tone, pulls home)
4 = Bb (the note that leans on the 3rd)

Minor view

D minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Bb (the minor's melancholy)
b7 = C (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the D minor side because Dm is heard 2 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from F major
Degree	Chord	Role	Notes	In song
I	F	Tonic — home	F · A · C	—
ii	Gm	Supertonic — prepares the dominant	G · Bb · D	—
II	G	Chromatic colour chordoutside the key	G · B · D	11×
iii	Am	Mediant — a tonic-family shade	A · C · E	27×
V/vi	A	Secondary dominant V/vi — leads to Dmsecondary dominant	A · C# · E	—
IV	Bb	Subdominant — moves away from home	Bb · D · F	10×
V	C	Dominant — strongest pull home	C · E · G	—
vi	Dm	Relative minor — the melancholy side	D · F · A	2×
vii°	Edim	Leading-tone chord — tension	E · G · Bb	—

Seen from D minor
Degree	Chord	Role	Notes	In song
i	Dm	Tonic — home	D · F · A	2×
ii°	Edim	Supertonic — prepares the dominant	E · G · Bb	—
III	F	Relative major — the bright side	F · A · C	—
iv	Gm	Subdominant — moves away from home	G · Bb · D	—
IV	G	Major IV — Dorian / melodic-minor colourmodal colour	G · B · D	11×
v	Am	Minor dominant — soft pull	A · C · E	27×
V	A	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	A · C# · E	—
VI	Bb	Submediant — warm colour	Bb · D · F	10×
VII	C	Subtonic — steps back to the tonic	C · E · G	—

Analysis

The key pair is F major and its relative D minor (1 flat). 4 different chords appear 50 times in total; 3 of them sit naturally inside the shared scale. G step outside the scale as colour chords.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With F major shapes

Capo 1 + E shapes
Capo 3 + D shapes
Capo 5 + C shapes

With D minor shapes

No capo — open Dm shapes
Capo 5 + Am shapes

Easiest keys on guitar

5 semitones down · capo 5 keeps the original pitch

The song's harmonic story

The opening Am lays a solid floor for everything that follows. The chords that keep coming back are Am, G, Bb, Dm; read them as iii–II–IV–vi in F or v–IV–VI–i in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on G, the song seals F as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.