Onur Baytan - Mahşer - Chord

Key Eb major – C minor Chords Fm, Gm, Ab, Cm, Db, Bb, Eb Easy key G

Add to Repertoire

No ratings yet

or your user informations

Capo 0

    Fm               Gm
Gücümün bittiği yerdeyim
     Fm                    Gm
Ne kadar zaman oldu bilmiyorum kederdeyim
    Ab              Fm
Ölümden bir adım daha ilerdeyim
         Db            Gm        Cm
Günahlarımın bile küstüğü mahşerdeyim

       Ab                   Fm
Bütün kışlardan soğuk bu mevsim
       Gm
Bütün renklerden soluk
       Bb
Yine karanlık bu resim
     Ab
Görmüyor gözlerim
     Fm
Çıkmıyor sesim
 Db                   Gm
Ayaklarım tutuyor olmadı giderim

          Cm                   Fm
Bile bile düştüm ben ah bu belaya
      Bb
Göz göre göre sevdim
  Eb
Yana yana çekerim
          Cm                     Fm
Seve seve girdiğim bu tozlu sevdaya
       Ab
Hem seni hem sevdamı
  Gm
Sile sile giderim

End of song Play again?

Onur Baytan - Mahşer Tabs

NotesX

Harmony analysis

Onur Baytan – Mahşer: key and chord analysis

The song opens on Fm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because Cm is heard 3 times against 1 for Eb. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	1×
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	7×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	6×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	4×
V	Bb	Dominant — strongest pull home	Bb · D · F	2×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	3×
bVII	Db	bVII — borrowed (Mixolydian / parallel minor)borrowed chord	Db · F · Ab	2×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	3×
bII	Db	Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord	Db · F · Ab	2×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	1×
iv	Fm	Subdominant — moves away from home	F · Ab · C	7×
v	Gm	Minor dominant — soft pull	G · Bb · D	6×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	4×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	2×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 7 different chords appear 25 times in total; 6 of them sit naturally inside the shared scale. Db is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×2
Bb Eb EbV → Iauthentic cadence CmVII → III ×1
Fm Bb Ebii → Vii → V Cmiv → VII ×1

The move to watch is Gm → Cm, heard 2 times. From the Cm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Eb side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
On Db, follow the chord's notes (Db · F · Ab) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

4 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

Starting on Fm, the song gives away its key from the very first bar. The chords that keep coming back are Fm, Gm, Ab, Cm; read them as ii–iii–IV–vi in Eb or iv–v–VI–i in Cm. Db briefly darkens the picture: bvii — borrowed (mixolydian / parallel minor). Keep an ear on Gm → Cm (iii → vi in Eb, v → i in Cm): natural-minor cadence — gentle, modal arrival. Ending on Gm, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Onur Baytan - Mahşer Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

Find something to play next

Ready-made lists by difficulty and mood.

Report error for this content report.

All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.

🎤 Onur Baytan Chords

🎲 Random Chords in the Key of Eb

View All →