Gökçe Bahadır - İçime Sinmiyor - Chord

Key Bb major – G minor Chords Gm, D, F, Cm, A#, D#, Eb, Am … Easy key C

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Capo 0

Gm  Cm  Gm  D  F   Bb
Gm  Cm  Gm  D  Eb  D  Gm

Gm                   Cm
Her sabah güneş doğarken
F                A#
Yeni bir güne başlarken
D#                 Am
Ne zaman ki güzel bir şey görürüm
F               A#    D
Sensiz içime sinmiyor

Gm                   Cm
Her sabah güneş doğarken
F                A#
Yeni bir güne başlarken
D#                 Am
Ne zaman ki güzel bir şey görürüm
D               Gm
Sensiz içime sinmiyor

Gm
Gözlerim arıyor seni

Benim çocuk sevgilimi
                Cm   F  Eb
Bir ateş ki yüreğimi ah ah
F         A#
Alev alev yakıyor

Gm               Cm
Seni bana vermediler
                 Gm
Seni bana vermediler
       D#        D
Mutlu olsunlar diyorum
F                A#     D
Elbet onlar da severler

Gm               Cm
Seni bana vermediler
                 Gm
Seni bana vermediler
       D#        D
Mutlu olsunlar diyorum
Eb      D         Gm
Elbet onlar da severler

Gm  Cm  Gm  D  F   Bb
Gm  Cm  Gm  D  Eb  D  Gm

Gm                 Cm
Bazen bir çiçek açarken
F                 A#
Bazen bir çocuk gülerken
D#               Am
Ne zaman ki içim taşar sevinçten
F              A#     D
Sensiz içime sinmiyor

Gm                 Cm
Bazen bir çiçek açarken
F                 A#
Bazen bir çocuk gülerken
D#               Am
Ne zaman ki içim taşar sevinçten
D               Gm
Sensiz içime sinmiyor

Gm
Dönüp te baktığım zaman

Hatıralar ağlaşıyor
                  Cm   F  Eb
Bir yara ki her yanımı ah ah
F         A#
İnce ince sızlatıyor

End of song Play again?

Gökçe Bahadır - İçime Sinmiyor Tabs

NotesX

Harmony analysis

Gökçe Bahadır – İçime Sinmiyor: key and chord analysis

The song opens on Gm and ends on A#. Its chords belong to both Bb major and Gm, so every chord below is read both ways.

Major view

Bb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A (leading tone, pulls home)
4 = Eb (the note that leans on the 3rd)

Minor view

G minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Eb (the minor's melancholy)
b7 = F (natural-minor colour)
#7 = F# (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the G minor side because it comes to rest on Bb, it opens on Gm, Gm is heard 23 times against 11 for Bb and the major V chord points straight at Gm. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Bb major
Degree	Chord	Role	Notes	In song
I	A#	Tonic — home	A# · D · E#	9×
I	Bb	Tonic — home	Bb · D · F	2×
ii	Cm	Supertonic — prepares the dominant	C · Eb · G	12×
iii	Dm	Mediant — a tonic-family shade	D · F · A	—
V/vi	D	Secondary dominant V/vi — leads to Gmsecondary dominant	D · F# · A	14×
IV	D#	Subdominant — moves away from home	D# · G · A#	6×
IV	Eb	Subdominant — moves away from home	Eb · G · Bb	5×
V	F	Dominant — strongest pull home	F · A · C	13×
vi	Gm	Relative minor — the melancholy side	G · Bb · D	23×
vii°	Adim	Leading-tone chord — tension	A · C · Eb	—
vii	Am	Chromatic colour chordoutside the key	A · C · E	4×

Seen from G minor
Degree	Chord	Role	Notes	In song
i	Gm	Tonic — home	G · Bb · D	23×
ii°	Adim	Supertonic — prepares the dominant	A · C · Eb	—
ii	Am	Chromatic colour chordoutside the key	A · C · E	4×
III	A#	Relative major — the bright side	A# · D · E#	9×
III	Bb	Relative major — the bright side	Bb · D · F	2×
iv	Cm	Subdominant — moves away from home	C · Eb · G	12×
v	Dm	Minor dominant — soft pull	D · F · A	—
V	D	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D · F# · A	14×
VI	D#	Submediant — warm colour	D# · G · A#	6×
VI	Eb	Submediant — warm colour	Eb · G · Bb	5×
VII	F	Subtonic — steps back to the tonic	F · A · C	13×

Analysis

The key pair is Bb major and its relative G minor (2 flats). 9 different chords appear 88 times in total; 7 of them sit naturally inside the shared scale. The major V of Gm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Bb, the same D is V/vi, a secondary dominant heading for Gm. Am step outside the scale as colour chords.

Chord movement

F A# BbV → Iauthentic cadence GmVII → III ×9
D Gm BbV/vi → vi GmV → iharmonic-minor cadence ×8
Cm Gm Bbii → vi Gmiv → iminor plagal ×6
Cm F Bbii → Vii → V Gmiv → VII ×6
F Bb BbV → Iauthentic cadence GmVII → III ×2
Eb F BbIV → VIV → V GmVI → VIIVI → VII ×2

The move to watch is F → A#, heard 9 times. From the Gm side it is VII → III; from the Bb side it reads V → I (authentic cadence: the strongest arrival home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
When D comes, swap the scale's F for F#: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Bb major shapes

Capo 1 + A shapes
Capo 3 + G shapes
Capo 6 + E shapes

With G minor shapes

Capo 3 + Em shapes
Capo 5 + Dm shapes

Easiest keys on guitar

2 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The opening Gm lays a solid floor for everything that follows. The chords that keep coming back are Gm, D, F, Cm; read them as vi–V/vi–V–ii in Bb or i–V–VII–iv in Gm. D is the interesting twist: in Bb it is a chromatic chord (V/vi), while in Gm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on F → A# (V → I in Bb, VII → III in Gm): authentic cadence — the strongest arrival home. It closes on A#, letting the Bb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Gökçe Bahadır - İçime Sinmiyor Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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