Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Pop Smoke - What You Know Bout Love - Chord
Key Bb major – G minor Chords Ebmaj7, Dm7, Cm7, F6, Gm Easy key C
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Key: Bb | Gm
Capo: 0
Ebmaj7 Dm7 Cm7 Ebmaj7 F6 Gm
Ebmaj7 Dm7 Cm7
Shawty go jogging every morning (every morning)
Ebmaj7 F6 Gm
And she make me breakfast almost every morning (every morning)
Ebmaj7 Dm7 Cm7
And she take a naked pic before she leave the door
Ebmaj7 F6 Gm
I be waking up to pics before a nigga yawning
Ebmaj7 Dm7 Cm7
And every weekend my shawty comin' over (over)
Ebmaj7 F6 Gm
Shawty could Fendi out but she like Fashion Nova (Nova)
Ebmaj7 Dm7 Cm7
She ain't driving no Camry she pullin' in a Rover (Rover)
Ebmaj7 F6 Gm
With her hair so curly, I love you, baby
Ebmaj7 Dm7 Cm7
She said, "What you know 'bout love?" (I'll tell you everything)
Ebmaj7 F6 Gm
I got what you need
Ebmaj7 Dm7 Cm7
Walk up in the store and get what you want (go get it)
You get what you please
Ebmaj7 Dm7 Cm7
We 'bout to get it on, take off them drawers (I said I love you, baby)
Ebmaj7 F6 Gm
It's just you and me
Ebmaj7 Dm7 Cm7
You know what I be on, I'm about to go raw (love you, baby)
Ebmaj7 F6 Gm
'Cause I like what I see
Ebmaj7 Dm7 Cm7
Look, baby, I said I ain't gon' front
Ebmaj7 F6 Gm
You got my heart beating so fast to words I can't pronounce
Ebmaj7 Dm7 Cm7
And I be getting the chills every time I feel your touch
Ebmaj7 F6 Gm
I be looking at the top and girl, it's only us; all I need is your trust
Ebmaj7 Dm7 Cm7
And girl I told you once, don't make me tell you twice
Ebmaj7 F6 Gm
I know you see this print through my pants that I know you like
Ebmaj7 Dm7 Cm7
And yo ass be looking so fat when it be in them tights
Ebmaj7 F6 Gm
And I'm going straight to the top, so hope you ain't afraid of heights
Ebmaj7 Dm7 Cm7
You always keep me right, for a fact, you never left
Ebmaj7 F6 Gm
Through all the trials and tribulations, always had my best
Ebmaj7 Dm7 Cm7
So here's fifty-five hunnid, go and get your breasts
Ebmaj7 F6 Gm
Start rubbin' on your butt, start kissing on yo neck
Ebmaj7 Dm7 Cm7
Hey batter, batter, hey batter, batter
Ebmaj7 F6 Gm
Niggas know I had to swing, I had to make a play
Ebmaj7 Dm7 Cm7
I had to apply the pressure, 'cause you my hidden treasure
Ebmaj7 F6 Gm
I think I'm falling in love
Ebmaj7 Dm7 Cm7
She said, "What you know 'bout love?" (I'll tell you everything)
Ebmaj7 F6 Gm
I got what you need
Ebmaj7 Dm7 Cm7
Walk up in the store and get what you want (go get it)
You get what you please
Ebmaj7 Dm7 Cm7
We 'bout to get it on, take off them drawers (I said I love you, baby)
Ebmaj7 F6 Gm
It's just you and me
Ebmaj7 Dm7 Cm7
You know what I be on, I'm about to go raw (love you, baby)
Ebmaj7 F6 Gm
'Cause I like what I see
Ebmaj7 Dm7 Cm7 Ebmaj7 F6 Gm
End of song Play again?
Pop Smoke - What You Know Bout Love Tabs
NotesX
Harmony analysis
Pop Smoke – What You Know Bout Love: key and chord analysis
The song opens on Ebmaj7 and ends on Gm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it comes to rest on Gm and Gm is heard 20 times while Bb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | — |
| ii7 | Cm7 | Supertonic — prepares the dominant | C · Eb · G · Bb | 22× |
| iii7 | Dm7 | Mediant — a tonic-family shade | D · F · A · C | 22× |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IVmaj7 | Ebmaj7 | Subdominant — moves away from home | Eb · G · Bb · D | 42× |
| V6 | F6 | Dominant — strongest pull home | F · A · C · D | 20× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 20× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 20× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | — |
| iv7 | Cm7 | Subdominant — moves away from home | C · Eb · G · Bb | 22× |
| v7 | Dm7 | Minor dominant — soft pull | D · F · A · C | 22× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VImaj7 | Ebmaj7 | Submediant — warm colour | Eb · G · Bb · D | 42× |
| VII6 | F6 | Subtonic — steps back to the tonic | F · A · C · D | 20× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 5 different chords appear 126 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- F6 Gm BbV6 → videceptive cadence GmVII6 → iAeolian arrival ×20
- Ebmaj7 F6 BbIVmaj7 → V6IV → V GmVImaj7 → VII6VI → VII ×20
The move to watch is F6 → Gm, heard 20 times. From the Gm side it is VII6 → i (Aeolian arrival: rises a whole tone into home); from the Bb side it reads V6 → vi (deceptive cadence: expected Bb, lands on Gm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Ebmaj7, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
Starting on Ebmaj7, the song gives away its key from the very first bar. The chords that keep coming back are Ebmaj7, Dm7, Cm7, F6; read them as IVmaj7–iii7–ii7–V6 in Bb or VImaj7–v7–iv7–VII6 in Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F6 → Gm (V6 → vi in Bb, VII6 → i in Gm): Aeolian arrival — rises a whole tone into home. Ending on Gm, the song seals Gm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Pop Smoke - What You Know Bout Love Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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