Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Umut Timur - Çaresizim - Chord
Key G major – E minor Chords Em, D, Bm, C Difficulty already in its easiest key
No ratings yet
or your user informations
Make it yours
Text size
Key: G | Em
Capo: 0
Em D Bm C
Bu yürek seni çok sevdi
Em D Bm C
Gönül eğlendirmek değil, ebedi
Em D Bm C
Avucundaki umut, dolu dumansa
Em D Bm C
İhtimalini bile severim, sana çaresizim
Em D Bm C
Katlanmak mı yoksa, baş etmek mi daha zor?
Çağresizliğimin çaresine çare ol
Bu kalbe evet dersen içim içime sığmayacak
Her görüşümde ilk görüşüm gibi sana kanım kaynayacak
Kısa bir bakışın bile sanki uzun bir hikaye
Yabana atma beni, derdime ol çare
Herşeyimi koydum ortaya yok bende gizli saklı
Şans kapıya yeter ki dayansın sana zaten açık kapım
Eğer ki beni benden alıkoyacaksa senin söylemin
O zaman başlasın, zıvanadan çıkmama eylemi
Bil ki çok sevdim herkesten,
Herşeyden çok sevdim her derdin
Çaresi var derler ama ben sana çaresizim
Em D Bm C
Bu yürek seni çok sevdi
Em D Bm C
Gönül eğlendirmek değil, ebedi
Em D Bm C
Avucundaki umut, dolu dumansa
Em D Bm C
İhtimalini bile severim, sana çaresizim
Em D Bm C
Sana çaresizim
Em D Bm C
Sana çaresizim
Em D Bm C
Sana çaresizim
Em D Bm C
Sana çaresizim
Em D Bm C
Bu kalp san yol aldı
Kaptansız itirazsız
Keşke bu baş koyduğum yola eşlik etsem ne gerek var yanlız
Benim olmayışımın bir anlamı olmalı
Uykusuz kaldığım gecelerin artık bir sonu olmalı
Sonu böyle sensiz, çaresiz olmamalı
Çare kelimesine çare bulamadım sözlükten çıkmalı
Yarını olmayan bir hayat bıraktın şimdi bana
Ama bensiz mutluysan hep öyle kal
Dur be yüreğim dur, kabullenmek yakışır mı sana?
İmkansız gibi görünse de savaşırım benim olduğun güne kadar
Bil ki çok sevdim herşeyden, herkesten çok sevdim
Her derdin çaresi vardır derler ama sana çaresizim
Em D Bm C
Bu yürek seni çok sevdi
Em D Bm C
Gönül eğlendirmek değil, ebedi
Em D Bm C
Avucundaki umut, dolu dumansa
Em D Bm C
İhtimalini bile severim, sana çaresizim
Em D Bm C
Sana çaresizim
Em D Bm C
Sana çaresizim
Em D Bm C
Sana çaresizim
Em D Bm C
Sana çaresizim
End of song Play again?
Umut Timur - Çaresizim Tabs
NotesX
Harmony analysis
Umut Timur – Çaresizim: key and chord analysis
The song opens on Em and ends on C. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it opens on Em and Em is heard 22 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii | Am | Supertonic — prepares the dominant | A · C · E | — |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 22× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 22× |
| V | D | Dominant — strongest pull home | D · F# · A | 22× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 22× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 22× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv | Am | Subdominant — moves away from home | A · C · E | — |
| v | Bm | Minor dominant — soft pull | B · D · F# | 22× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 22× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 22× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 4 different chords appear 88 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- C Em GIV → vi EmVI → iVI → i ×21
The move to watch is C → Em, heard 21 times. From the Em side it is VI → i (VI → i: falls a half step into home); from the G side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
Starting on Em, the song gives away its key from the very first bar. Em, D, Bm, C carry the song: vi–V–iii–IV relative to G, i–VII–v–VI relative to Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → Em (IV → vi in G, VI → i in Em): VI → i — falls a half step into home. It closes on C, letting the G side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Umut Timur - Çaresizim Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.