Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Zeki Müren - Ne Olursun - Chord
Key D major – B minor Chords Cm, Bb, Fm Easy key B (capo 3)
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Key: D | Bm
Capo: 0
Cm Bb Fm Cm Gel gönlümü, yerden yere, vurma güzel ne olursun Fm Cm Bb Cm Gül dururken dikenleri, derme güzel ne olursun Cm Bb Fm Bb Cm Git diyemem, kal diyemem, sen goncasın, gül diyemem Fm Cm Bb Cm Çok severim, söyleyemem, sorma güzel ne olursun Cm Bb Fm Cm Sevgin nefes, sevgin candır, sevgin bana heyecandır Fm Cm Bb Cm Kalbim ince bir fidandır, kırma güzel ne olursun
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Zeki Müren - Ne Olursun Tabs
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Harmony analysis
Zeki Müren – Ne Olursun: key and chord analysis
The song opens on Cm and ends on Cm. Its chords belong to both D major and Bm, so every chord below is read both ways.
Minor view
B minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = G (the minor's melancholy)
- b7 = A (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between D major and B minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | — |
| ii | Em | Supertonic — prepares the dominant | E · G · B | — |
| biii | Fm | Chromatic colour chordoutside the key | F · Ab · C | 6× |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | — |
| III | F# | Chromatic colour chordoutside the key | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | — |
| V | A | Dominant — strongest pull home | A · C# · E | — |
| bVI | Bb | Borrowed from the parallel minorborrowed chord | Bb · D · F | 7× |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | — |
| bvii | Cm | Chromatic colour chordoutside the key | C · Eb · G | 12× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | — |
| bii | Cm | Chromatic colour chordoutside the key | C · Eb · G | 12× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | — |
| iv | Em | Subdominant — moves away from home | E · G · B | — |
| #iv | Fm | Chromatic colour chordoutside the key | F · Ab · C | 6× |
| v | F#m | Minor dominant — soft pull | F# · A · C# | — |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | — |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | — |
| #VII | Bb | Chromatic colour chordoutside the key | Bb · D · F | 7× |
Analysis
The key pair is D major and its relative B minor (2 sharps). 3 different chords appear 25 times in total; 0 of them sit naturally inside the shared scale. Bb is borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- On Bb, follow the chord's notes (Bb · D · F) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With D major shapes
- No capo — open D shapes
- Capo 2 + C shapes
- Capo 5 + A shapes
With B minor shapes
- Capo 2 + Am shapes
- Capo 7 + Em shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
Starting on Cm, the song gives away its key from the very first bar. Cm, Bb, Fm carry the song: bvii–bVI–biii relative to D, bii–#VII–#iv relative to Bm. Bb briefly darkens the picture: borrowed from the parallel minor. It closes on Cm, letting the D side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Zeki Müren - Ne Olursun Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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