Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Bob Dylan - Mr. Tambourine Man - Chord
Key D major – B minor Chords G, D, A, Dsus2 Difficulty already in its easiest key
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Key: D | Bm
Capo: 0
D D Dsus2 Dsus2 D
G A D G
Hey, Mr. Tambourine Man, play a song for me,
D G A
I'm not sleepy and there is no place I'm going to.
G A D G
Hey, Mr. Tambourine Man, play a song for me,
D G A D
In the jingle jangle morning I'll come following you.
G A D G
Though I know that evenings empire has returned into sand,
D G
Vanished from my hand,
D G A
Left me blindly here to stand but still not sleeping.
G A D G
My weariness amazes me, I'm branded on my feet,
D G
I have no one to meet
D G A
And the ancient empty street's too dead for dreaming.
G A D G
Hey, Mr. Tambourine Man, play a song for me,
D G A
I'm not sleepy and there is no place I'm going to.
G A D G
Hey, Mr. Tambourine Man, play a song for me,
D G A D
In the jingle jangle morning I'll come following you.
G A D G
Take me on a trip upon your magic swirling ship,
D G D G
My senses have been stripped, my hands can't feel to grip,
D G D G
My toes too numb to step, wait only for my boot heels
A
To be wandering.
G A D G
I'm ready to go anywhere, I'm ready for to fade
D G D G
Into my own parade, cast your dancing spell my way,
A
I promise to go under it.
G A D G
Hey, Mr. Tambourine Man, play a song for me,
D G A
I'm not sleepy and there is no place I'm going to.
G A D G
Hey, Mr. Tambourine Man, play a song for me,
D G A D
In the jingle jangle morning I'll come following you.
G A D G
Though you might hear laughing, spinning, swinging madly across the sun,
D G D G
It's not aimed at anyone, it's just escaping on the run
D G A
And but for the sky there are no fences facing.
G A D G
And if you hear vague traces of skipping reels of rhyme
D G D G
To your tambourine in time, it's just a ragged clown behind,
D G D
I wouldn't pay it any mind, it's just a shadow you're
G A
Seeing that he's chasing.
G A D G
Hey, Mr. Tambourine Man, play a song for me,
D G A
I'm not sleepy and there is no place I'm going to.
G A D G
Hey, Mr. Tambourine Man, play a song for me,
D G A D
In the jingle jangle morning I'll come following you.
G A D G
Then take me disappearing through the smoke rings of my mind,
D G D G
Down the foggy ruins of time, far past the frozen leaves,
D G D G
The haunted, frightened trees, out to the windy beach,
D G A
Far from the twisted reach of crazy sorrow.
G A D G
Yes, to dance beneath the diamond sky with one hand waving free,
D G D G
Silhouetted by the sea, circled by the circus sands,
D G D G
With all memory and fate driven deep beneath the waves,
D G A
Let me forget about today until tomorrow.
G A D G
Hey, Mr. Tambourine Man, play a song for me,
D G A
I'm not sleepy and there is no place I'm going to.
G A D G
Hey,5 Mr. Tambourine Man, play a song for me,
D G A D
In the jingle jangle morning I'll come following you
End of song Play again?
Bob Dylan - Mr. Tambourine Man Tabs
NotesX
Harmony analysis
Bob Dylan – Mr. Tambourine Man: key and chord analysis
The song opens on D and ends on D. Its chords belong to both D major and Bm, so every chord below is read both ways.
Minor view
B minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = G (the minor's melancholy)
- b7 = A (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D major side because it both starts and finishes on D and D is heard 65 times while Bm never appears. That is an interpretation, not a rule — hearing the same chords from B minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | 63× |
| Isus2 | Dsus2 | Tonic — home | D · E · A | 2× |
| ii | Em | Supertonic — prepares the dominant | E · G · B | — |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | — |
| III | F# | Chromatic colour chordoutside the key | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | 73× |
| V | A | Dominant — strongest pull home | A · C# · E | 36× |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | — |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | — |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | 63× |
| IIIsus2 | Dsus2 | Relative major — the bright side | D · E · A | 2× |
| iv | Em | Subdominant — moves away from home | E · G · B | — |
| v | F#m | Minor dominant — soft pull | F# · A · C# | — |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | 73× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | 36× |
Analysis
The key pair is D major and its relative B minor (2 sharps). 4 different chords appear 174 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- G D DIV → Iplagal cadence BmVI → III ×37
- G A DIV → VIV → V BmVI → VIIVI → VII ×36
- A D DV → Iauthentic cadence BmVII → III ×23
The move to watch is G → D, heard 37 times. From the D side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Bm side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With D major shapes
- No capo — open D shapes
- Capo 2 + C shapes
- Capo 5 + A shapes
With B minor shapes
- Capo 2 + Am shapes
- Capo 7 + Em shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The opening D lays a solid floor for everything that follows. G, D, A, Dsus2 carry the song: IV–I–V–Isus2 relative to D, VI–III–VII–IIIsus2 relative to Bm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on G → D (IV → I in D, VI → III in Bm): plagal cadence — the soft 'amen' ending. Ending on D, the song seals D as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Bob Dylan - Mr. Tambourine Man Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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