Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Key D major – B minor Chords Em, G, Bm, A, D/F#, D Easy key G (capo 7)
G Em Bm A D/F#
G Em
If you are not the one for me
Bm A D/F#
Then how come I can bring you to your knees
G Em
If you are not the one for me
Bm A D/F#
Why do I hate the idea of being free
G Em
And if I'm not the one for you
Bm A D/F#
You've gotta stop holding me the way you do
G Em
Oh, and if I'm not the one for you
Bm A D/F#
Why have we been through what we have been through
G Em
It's so cold out here
Bm A D/F#
In your wilderness
G Em
Now I want you to be my keeper
Bm A D/F#
But not if you're so reckless
D
If you're gonna let me down
Let me down gently
Em
Don't pretend that you don't want me
Bm G
Our love ain't water under the bridge
D
If you're gonna let me down
Let me down gently
Em
Don't pretend that you don't want me
Bm G
Our love ain't water under the bridge
D Em
Oh
Bm G
Say that our love ain't water under the bridge
G Em
What are you waiting for
Bm A D/F#
You never seem to make it through the door
G Em
and who are you hiding from
Bm A D/F#
it ain't no life to live like you're on the run
G Em
Have I ever asked for much
Bm A D/F#
the only thing that I want is your love
D
If you're gonna let me down
Let me down gently
Em
Don't pretend that you don't want me
Bm G
Our love ain't water under the bridge
D
If you're gonna let me down
Let me down gently
Em
Don't pretend that you don't want me
Bm G
Our love ain't water under the bridge
D Em
Oh
Bm G
Say that our love ain't water under the bridge
G Em
It's so cold out here
Bm A D/F#
In your wilderness
G Em
Now I want you to be my keeper
Bm A D/F#
But not if you're so reckless, ooohh
D
If you're gonna let me down
Let me down gently
Em
Don't pretend that you don't want me
Bm G
Our love ain't water under the bridge
D
If you're gonna let me down
Let me down gently
Em
Don't pretend that you don't want me
Bm G
Our love ain't water under the bridge
D Em
Oh, say it ain't so
Bm G
Say that our love ain't water under the bridge
D Em
Oh, say it ain't so
Bm G
Say that our love ain't water under the bridge
D Em
Say that our love ain't water under the bridge
End of song Play again?
Harmony analysis
The song opens on G and ends on Em. Its chords belong to both D major and Bm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the D major side because D is heard 23 times against 22 for Bm. That is an interpretation, not a rule — hearing the same chords from B minor is just as valid and teaches you something different.
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D/F# | Tonic — home | D · F# · A | 12× |
| I | D | Tonic — home | D · F# · A | 11× |
| ii | Em | Supertonic — prepares the dominant | E · G · B | 23× |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | — |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | 22× |
| V | A | Dominant — strongest pull home | A · C# · E | 12× |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | 22× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | 22× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D/F# | Relative major — the bright side | D · F# · A | 12× |
| III | D | Relative major — the bright side | D · F# · A | 11× |
| iv | Em | Subdominant — moves away from home | E · G · B | 23× |
| v | F#m | Minor dominant — soft pull | F# · A · C# | — |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | 22× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | 12× |
The key pair is D major and its relative B minor (2 sharps). 6 different chords appear 102 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Em → Bm, heard 22 times. From the D side it reads ii → vi; from the Bm side it is iv → i (minor plagal: deep and melancholic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
Starting on G, the song gives away its key from the very first bar. The backbone is Em, G, Bm, A — ii–IV–vi–V from the D side, iv–VI–i–VII from the Bm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Em → Bm (ii → vi in D, iv → i in Bm): minor plagal — deep and melancholic. It closes on Em, letting the D side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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