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Frank Sinatra - My Way - Chord

Key D major – B minor Chords D, G, A7, Dmaj7, Em7, D7, Gm6, A … Easy key G (capo 7)

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D              Gbm
And now the end is near
         Am6/C           B4     B7
And so I face the final curtain
      Em                  Em7
My friend, I'll say it  clear
               A7               D
I'll state my case of which I'm certain

      D    Dmaj7              D7
I've lived     a life that's full
               G              Gm6
I've travelled each and every highway
     D                   A7
And more, much more than this
         G   D
I did it my way

   D                 Dmaj7
Regrets, I've had a few
           Am6/C            B4     B7
But then again, too few to mention
   Em               Em7
I did what I had to do
            A7                 D
And saw it through  without  exemption

     D    Dmaj7           D7
I planned each charted course
               G             Gm6
Each careful step along the byway
    D                    A7
And more, much more than this
         G   D
I did it my way

 A              D    Dmaj7            D7
Yes there were times,    I'm sure you knew
            G                    Gmaj7
When I bit off more than I could chew
               Em7                A7
But through it all when there was doubt
         Gbm7           Bm7
I ate it up and spit it out
           Em7              A7
I faced it all, and I stood tall
           G   D
And did it my way

      D                      Dmaj7
I've loved, I've laughed and cried
            Am6/C              B4    B7
I've had my fill, my share of loosing
    Em              Em7
And now as tears subside
          A7       D
I find it all so amusing
     D   Dmaj7              D7
To think     I did all that
        G                 Gm6
And may I say, not in a shy way
     D              A7
Oh, no, oh, no not me
          G  D
I did it my way


      A        D  Dmaj7        D7
For what is a man, what has he got
           G                 Gmaj7
If not himself, then he has naught
           Em7               A7
To say the things, he truly feels
             Gbm7             Bm7
And not the words of one who kneels
             Em7               A7
The record shows, I took the blows
            G  D
And did it my way

A  D  Dmaj7  Am7  D7  G  Gm6  D  F#m/C#  Bm7

 A           G   D
Yes, it was my way

End of song Play again?

Frank Sinatra - My Way Tabs

NotesX

Harmony analysis

Frank Sinatra – My Way: key and chord analysis

The song opens on D and ends on D. Its chords belong to both D major and Bm, so every chord below is read both ways.

Major view

D major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = C# (leading tone, pulls home)
  • 4 = G (the note that leans on the 3rd)

Minor view

B minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = G (the minor's melancholy)
  • b7 = A (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the D major side because it both starts and finishes on D and D is heard 36 times against 3 for Bm. That is an interpretation, not a rule — hearing the same chords from B minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from D major
Degree Chord Role Notes In song
I D Tonic — home D · F# · A 22×
Imaj7 Dmaj7 Tonic — home D · F# · A · C# 8×
V7/IV D7 Secondary dominant V/IV — leads to Gsecondary dominant D · F# · A · C 6×
ii7 Em7 Supertonic — prepares the dominant E · G · B · D 7×
ii Em Supertonic — prepares the dominant E · G · B 3×
iii7 Gbm7 Mediant — a tonic-family shade Gb · A · Db · Fb 2×
iii Gbm Mediant — a tonic-family shade Gb · A · Db 1×
iii F#m/C# Mediant — a tonic-family shade F# · A · C# 1×
V/vi F# Secondary dominant V/vi — leads to Bmsecondary dominant F# · A# · C# —
IV G Subdominant — moves away from home G · B · D 12×
IVmaj7 Gmaj7 Subdominant — moves away from home G · B · D · F# 2×
iv6 Gm6 Minor iv — borrowed from the parallel minorborrowed chord G · Bb · D · E 4×
V7 A7 Dominant — strongest pull home A · C# · E · G 10×
V A Dominant — strongest pull home A · C# · E 4×
v6 Am6/C Chromatic colour chordoutside the key A · C · E · F# 3×
v7 Am7 Chromatic colour chordoutside the key A · C · E · G 1×
vi7 Bm7 Relative minor — the melancholy side B · D · F# · A 3×
V/ii B4 Secondary dominant V/ii — leads to Emsecondary dominant B · D# · F# 3×
V7/ii B7 Secondary dominant V/ii — leads to Emsecondary dominant B · D# · F# · A 3×
vii° C#dim Leading-tone chord — tension C# · E · G —
Seen from B minor
Degree Chord Role Notes In song
i7 Bm7 Tonic — home B · D · F# · A 3×
V/iv B4 Secondary dominant V/iv — leads to Emsecondary dominant B · D# · F# 3×
V7/iv B7 Secondary dominant V/iv — leads to Emsecondary dominant B · D# · F# · A 3×
ii° C#dim Supertonic — prepares the dominant C# · E · G —
III D Relative major — the bright side D · F# · A 22×
IIImaj7 Dmaj7 Relative major — the bright side D · F# · A · C# 8×
V7/VI D7 Secondary dominant V/VI — leads to Gsecondary dominant D · F# · A · C 6×
iv7 Em7 Subdominant — moves away from home E · G · B · D 7×
iv Em Subdominant — moves away from home E · G · B 3×
v7 Gbm7 Minor dominant — soft pull Gb · A · Db · Fb 2×
v Gbm Minor dominant — soft pull Gb · A · Db 1×
v F#m/C# Minor dominant — soft pull F# · A · C# 1×
V F# Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor F# · A# · C# —
VI G Submediant — warm colour G · B · D 12×
VImaj7 Gmaj7 Submediant — warm colour G · B · D · F# 2×
vi6 Gm6 Chromatic colour chordoutside the key G · Bb · D · E 4×
VII7 A7 Subtonic — steps back to the tonic A · C# · E · G 10×
VII A Subtonic — steps back to the tonic A · C# · E 4×
vii6 Am6/C Chromatic colour chordoutside the key A · C · E · F# 3×
vii7 Am7 Chromatic colour chordoutside the key A · C · E · G 1×

Analysis

The key pair is D major and its relative B minor (2 sharps). 18 different chords appear 95 times in total; 12 of them sit naturally inside the shared scale. D7, B4, B7 act as secondary dominants, briefly pointing at another chord of the key. Gm6 is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

  1. Em7 A7 Dii7 → V7ii → V Bmiv7 → VII7 ×7
  2. G D DIV → Iplagal cadence BmVI → III ×6
  3. D7 G DV7/IV → IVsecondary resolution BmV7/VI → VI ×6
  4. Gm6 D Div6 → Iminor plagal Bmvi6 → III ×4
  5. A7 D DV7 → Iauthentic cadence BmVII7 → III ×3
  6. A D DV → Iauthentic cadence BmVII → III ×3

The move to watch is Em7 → A7, heard 7 times. From the D side it reads ii7 → V7 (ii → V: the classic preparation of the dominant); from the Bm side it is iv7 → VII7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
  • Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
  • Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
  • Over A7, land on A, C#, E — the chord's own tones always sound right on strong beats.
  • On Gm6, follow the chord's notes (G · Bb · D · E) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With D major shapes

    • No capo — open D shapes
    • Capo 2 + C shapes
    • Capo 5 + A shapes

    With B minor shapes

    • Capo 2 + Am shapes
    • Capo 7 + Em shapes

    Easiest keys on guitar

    • 5 semitones up · capo 7 keeps the original pitch
    • 2 semitones down · capo 2 keeps the original pitch

    The song's harmonic story

    The opening D lays a solid floor for everything that follows. D, G, A7, Dmaj7 carry the song: I–IV–V7–Imaj7 relative to D, III–VI–VII7–IIImaj7 relative to Bm. D7 adds a moment of surprise: secondary dominant V/IV — leads to G. Keep an ear on Em7 → A7 (ii7 → V7 in D, iv7 → VII7 in Bm): ii → V — the classic preparation of the dominant. The final chord is D; the ear comes to rest in D.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Frank Sinatra - My Way Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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