Kahraman Deniz - Böyle Sever - Chord

Key G major – E minor Chords Em, Am, C, D Difficulty already in its easiest key

Add to Repertoire

No ratings yet

or your user informations

Capo 0

Em                    Am
Tam da terk etmek üzereydim bu şehri
C                    Em
Ait olmadığım sokaklara dönmek için
                     Am
Aniden sen geldin ve mahvettin beni
C            D           Em
Ben böyle güzel bir hata hiç görmemiştim

Em                         Am
Her şeye hile karışsa bile oyunu seversin
C                        Em
İkimiz de hiç ölmeyecek gibi gülersin
                  Am                      C
Duramazsan anlarım, ben gencim ama ihtiyarım
         D          Em
Sende bu öyküyü noktalarım

Em
Yar, bana düşmanım ol, gel
Am
Düşür beni koynuna, boğuver
C                      Em
Bu garibin ömrü sensiz geçer mi

Em
Gel bana, zindanım ol, gel
Am
Kelepçeyi vur, zulüm ol, gel
C                  Em
İnsan insanı böyle sever mi

Em  Am  C  Em

Em
Herkes kendini anlatır
Am
Sen hiçbir şey söylemedin
C         
Sesler rüzgara karıştı
Em
Sen topraktın, çiğnemedim

Em
Saçından güneş mi doğdu
Am 
Gecem niye böyle gün gibi
C          D   
Bakma bana öyle zalim
Em
Git de bir aynaya bak, der gibi

Em
Gözyaşı dökmeden ağlarım
Am
Kendim bile duymam, bağırırım
C
Feryatlarıma yoldaş olmuş 
Em
Susmalarım

Em
Bulamazsan anlarım
Am                     C
Ben görünürken kaybolanım
         D               Em
Çok bilinirken, gayb olanım

End of song Play again?

Kahraman Deniz - Böyle Sever Tabs

NotesX

Harmony analysis

Kahraman Deniz – Böyle Sever: key and chord analysis

The song opens on Em and ends on Em. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F# (leading tone, pulls home)
4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = C (the minor's melancholy)
b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the E minor side because it both starts and finishes on Em and Em is heard 20 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree	Chord	Role	Notes	In song
I	G	Tonic — home	G · B · D	—
ii	Am	Supertonic — prepares the dominant	A · C · E	11×
iii	Bm	Mediant — a tonic-family shade	B · D · F#	—
V/vi	B	Secondary dominant V/vi — leads to Emsecondary dominant	B · D# · F#	—
IV	C	Subdominant — moves away from home	C · E · G	11×
V	D	Dominant — strongest pull home	D · F# · A	4×
vi	Em	Relative minor — the melancholy side	E · G · B	20×
vii°	F#dim	Leading-tone chord — tension	F# · A · C	—

Seen from E minor
Degree	Chord	Role	Notes	In song
i	Em	Tonic — home	E · G · B	20×
ii°	F#dim	Supertonic — prepares the dominant	F# · A · C	—
III	G	Relative major — the bright side	G · B · D	—
iv	Am	Subdominant — moves away from home	A · C · E	11×
v	Bm	Minor dominant — soft pull	B · D · F#	—
V	B	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	B · D# · F#	—
VI	C	Submediant — warm colour	C · E · G	11×
VII	D	Subtonic — steps back to the tonic	D · F# · A	4×

Analysis

The key pair is G major and its relative E minor (1 sharp). 4 different chords appear 46 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

C Em GIV → vi EmVI → iVI → i ×7
D Em GV → videceptive cadence EmVII → iAeolian arrival ×4
C D GIV → VIV → V EmVI → VIIVI → VII ×4

The move to watch is C → Em, heard 7 times. From the Em side it is VI → i (VI → i: falls a half step into home); from the G side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over C, land on C, E, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With G major shapes

No capo — open G shapes
Capo 3 + E shapes
Capo 5 + D shapes

With E minor shapes

No capo — open Em shapes
Capo 2 + Dm shapes
Capo 7 + Am shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The opening Em lays a solid floor for everything that follows. The chords that keep coming back are Em, Am, C, D; read them as vi–ii–IV–V in G or i–iv–VI–VII in Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → Em (IV → vi in G, VI → i in Em): VI → i — falls a half step into home. It closes on Em, letting the Em side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.