Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Kahraman Deniz - Garezi Var - Chord
Key Db major – Bb minor Chords Bbm, G#, F#, Ebm Easy key G (capo 6)
No ratings yet
or your user informations
Make it yours
Text size
Key: Db | A#m | Bbm
Capo: 0
Bbm G# Yalanlar olmasın, beklemem fazla kifayet F# Ebm Ben durursam şeytan durmaz, olmaz hiç adalet Bbm G# Dünyayı değiştireceğimize hiç inancın yok mu? F# Ebm İnsan dediğin, bir çuval etten mi ibaret? Bbm G# Direndim, yenildim ama kaybettim diyemem F# Ebm Eksiklik hayatta değil, zihinlerimizin içinde Bbm G# Üzüldüm, ama nefrete sebep değil bu, küsemem F# Ebm Saygına ihtiyacım yok, tüm dostlarım benimle Bbm G# Küllerimize bile garezi var zalimin F# Ebm Yaka yaka bitiremedi adını alimin Bbm G# Gün doğmadı, ama doğar elbet F# Ebm Bu geceki hikâyesi uzun olur halimin Bbm G# Her an çok şeyin farkında olamayabilirim F# Ebm Bu şarkının bu yarısını yazarken bile ayık değilim Bbm G# Sevmeyi sevmek bazen insanı sevmekten iyi oldu F# Ebm Birine bir gönül verdim, o alınca iş bozuldu Bbm G# F# Ebm Direndin, yenildin, kaybettin her seferinde Bbm G# F# Ebm Bırak beni, ben kazanayım bu kez, hepimizin yerine Bbm G# Küllerimize bile garezi var zalimin F# Ebm Yaka yaka bitiremedi adını alimin Bbm G# Gün doğmadı, ama doğar elbet F# Ebm Bu geceki hikâyesi uzun olur halimin
End of song Play again?
Kahraman Deniz - Garezi Var Tabs
NotesX
Harmony analysis
Kahraman Deniz – Garezi Var: key and chord analysis
The song opens on Bbm and ends on Ebm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it opens on Bbm and Bbm is heard 12 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 12× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | — |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | F# | Subdominant — moves away from home | F# · A# · C# | 12× |
| V | G# | Dominant — strongest pull home | G# · B# · D# | 12× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 12× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 12× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 12× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | — |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | F# | Submediant — warm colour | F# · A# · C# | 12× |
| VII | G# | Subtonic — steps back to the tonic | G# · B# · D# | 12× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 4 different chords appear 48 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×11
The move to watch is Ebm → Bbm, heard 11 times. From the Bbm side it is iv → i (minor plagal: deep and melancholic); from the Db side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over G#, land on G#, B#, D# — the chord's own tones always sound right on strong beats.
- Over F#, land on F#, A#, C# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The opening Bbm lays a solid floor for everything that follows. The chords that keep coming back are Bbm, G#, F#, Ebm; read them as vi–V–IV–ii in Db or i–VII–VI–iv in Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ebm → Bbm (ii → vi in Db, iv → i in Bbm): minor plagal — deep and melancholic. Ending on Ebm, the song seals Db as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Kahraman Deniz - Garezi Var Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Repertoires with this song
Similar songs, ready to play: pick a list.
Lyrics: Kahraman DenizMusic: Kahraman DenizArrangement: Kahraman Deniz
Cenk Çelik
Cenk Çelik
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.