Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Oğuzhan Uğur - Tın - Chord
Key C major – A minor Chords Am, E, C, Dm Difficulty already in its easiest key
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Key: C | Am
Capo: 0
Am
Ne güzel gözlerin var, evet
C
Dudakların harika
Am
Saçların ipek gibi
C
Cildinse parlıyor adeta
Am
Dişlerin inci sanki, muhteşem
C
Fiziğinin yanı sıra
Am
Büyülü ses tonun da
C
Pek yakışır güzel diksiyonuna
Dm
Bunlara sahip olsan da
Am
Gider yapamazsın bana
E
Giderin anca hoşuma gider
Dm E Am
Önce zeka lazım sana
Dm
Dokunmatik ekrana baktığın kadar
Am
Kitap okusaydın ki
E Dm E Am
Okumak cahilliğini alır ama eşeklik baki
Am
Varlığın tın yokluğun fifi
E
Zeka yoksa çöpe at güzelliği
Am
Erkeğim tabi güzel kızı görünce
E
Atladım direk bana çirkin kız gerek
Am
Ama ördek gibi de olmasın birazcık bakımlı
E Am
Kıyafeti düzgün azıcık da takısı olsun istedim
Yine yetinemedim
E
Bu maymun iştahla hep bekar gezerim
Am
Kızın zekasına neden taktın
C
Sen tübitak mısın
Am
Sınavla mı sevgili bulacaksın
C
Ay ne uyuz adamsın
Am
Senin evde ayna yok galiba
C
Şu tipine bakar mısın
Am
Öp de başına koy
C
Böyle güzelini nerden bulacaksın
Dm
Kızların zekasını
Am
Soru sorarak anlayamazsın ki
E
Günü gelince sana
Dm E Am
Tek hareketle bildirir haddini
Dm
Dokunmatik ekranla
Am
Kitabı karşılaştıracağına
E
Git bak ekrana
Dm E Am
Ya başkasıyla mesajlaşıyorsa, ne oldu
Am
Aldattı beni kıymete bindi
C
Ben zekaya o boyunuza taktı
Am
Aşkla ilgili prensibim şaştı
C
Namus önemli prensesim kaçtı
Am
İçine atma; Atmazdım amma
E
Rtük de dinliyor bunu sonuçta
Am
Tek bir laf edesim var şimdi ona
E
Bip dedirtmeyin anlasanıza
End of song Play again?
Oğuzhan Uğur - Tın Tabs
NotesX
Harmony analysis
Oğuzhan Uğur – Tın: key and chord analysis
The song opens on Am and ends on E. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
- #7 = G# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it opens on Am, Am is heard 24 times against 10 for C and the major V chord points straight at Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | 10× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 8× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | 14× |
| IV | F | Subdominant — moves away from home | F · A · C | — |
| V | G | Dominant — strongest pull home | G · B · D | — |
| vi | Am | Relative minor — the melancholy side | A · C · E | 24× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 24× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | 10× |
| iv | Dm | Subdominant — moves away from home | D · F · A | 8× |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | 14× |
| VI | F | Submediant — warm colour | F · A · C | — |
| VII | G | Subtonic — steps back to the tonic | G · B · D | — |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 4 different chords appear 56 times in total; 3 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from C, the same E is V/vi, a secondary dominant heading for Am.
Chord movement
- E Am CV/vi → vi AmV → iharmonic-minor cadence ×9
- Dm Am Cii → vi Amiv → iminor plagal ×4
- Dm E Cii → V/vi Amiv → Viv → V ×4
The move to watch is E → Am, heard 9 times. From the Am side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the C side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- When E comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The first chord is Am; the ear learns where home is within a second. The backbone is Am, E, C, Dm — vi–V/vi–I–ii from the C side, i–V–III–iv from the Am side. E is the interesting twist: in C it is a chromatic chord (V/vi), while in Am it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on E → Am (V/vi → vi in C, V → i in Am): harmonic-minor cadence — the major V resolves dramatically. Ending on E, the song seals C as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Oğuzhan Uğur - Tın Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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