Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Oğuzhan Uğur - Bal Prensesi - Chord
Key C major – A minor Chords Am, E, Dm, G, F Difficulty already in its easiest key
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Key: C | Am
Capo: 0
Am E
Anne çok mutluyum sence var mı aşkın etkisi
Dm Am
Dün ilk kez pişt naber dedim
E Am
Olumlu oldu tepkisi
Dm Am
Görünce hey naber dedim
E Am
Sırıttı bal prensesi, oy tipe bak
Am E
Baba söylesene bana bu kız çok tatlı değil mi
Dm Am
Bırakmam ben bu işi şansa
E Am
Hemen gidip isteyelim mi
Dm Am
Ufaktan bir onay ver baba
E Am
Gelip öpsün ellerini
Am G
Aşık oldum ben oh be
F E
Değmeyin keyfime
Am
Kelebekler içimde
G F E
Fıtı fıtı uçtu ve kondular kalbime
Am E
Dede çok seviyorum dedi cevap verdim ben daha çok
Dm Am
Tıpkı ninem ile sen gibi
E Am
Bir ömür geçse aşkla of
Dm Am
Yaşlansak buruşsak asla bırakmam
E Am
Çok seviyorum çok
Am E
Aşkım ketum davranmadım bizi herkese anlattım
Dm Am
Kararın kesin ve net değil mi
E Am
Sonra patlamayalım
Dm Am
Kahvede yengeniz olur dedim
E Am
Dönüş yok kurban olayım sana
Am G
Aşık oldum ben oh be
F E
Değmeyin keyfime
Am G
En nihayet mutlu sonla
F E
Bitti bir hikaye
End of song Play again?
Oğuzhan Uğur - Bal Prensesi Tabs
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Harmony analysis
Oğuzhan Uğur – Bal Prensesi: key and chord analysis
The song opens on Am and ends on E. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
- #7 = G# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it opens on Am, Am is heard 24 times while C never appears and the major V chord points straight at Am. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 8× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | 16× |
| IV | F | Subdominant — moves away from home | F · A · C | 4× |
| V | G | Dominant — strongest pull home | G · B · D | 4× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 24× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 24× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | — |
| iv | Dm | Subdominant — moves away from home | D · F · A | 8× |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | 16× |
| VI | F | Submediant — warm colour | F · A · C | 4× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 4× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 5 different chords appear 56 times in total; 4 of them sit naturally inside the shared scale. The major V of Am brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from C, the same E is V/vi, a secondary dominant heading for Am.
Chord movement
- E Am CV/vi → vi AmV → iharmonic-minor cadence ×11
- Dm Am Cii → vi Amiv → iminor plagal ×8
The move to watch is E → Am, heard 11 times. From the Am side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the C side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- When E comes, swap the scale's G for G#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The first chord is Am; the ear learns where home is within a second. The chords that keep coming back are Am, E, Dm, G; read them as vi–V/vi–ii–V in C or i–V–iv–VII in Am. E is the interesting twist: in C it is a chromatic chord (V/vi), while in Am it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on E → Am (V/vi → vi in C, V → i in Am): harmonic-minor cadence — the major V resolves dramatically. The final chord is E; the ear comes to rest in C.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Oğuzhan Uğur - Bal Prensesi Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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