Yalın - Nöbetçi Geceler - Chord

Key Eb major – C minor Chords Cm, Ab, Bb, Fm, Gm, Dm, Eb Easy key G

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Capo 0

     Cm
Kalk gel
            Bb
Öyle dargın durma
           Ab
Soğur için sonra
           Cm
Zor olur öyle

     Cm
Kalk gel
            Bb
Öyle kızgın durma
            Ab
Uçar kuşlar sonra
           Cm
Zor olur öyle

Fm        Bb
Anlamakta affetmekte
Gm
Sarılmakta
       Ab
İyi ki var demekte
          Cm   Dm  Eb  Fm
Hatta özlemekte

Cm
Az ya da çok

Her şey yanında güzel
Ab
Sevdim seni çok ama çok özel
Bb
Nasıl unutur insan
Ab                  Cm
Uyutmaz nöbetçi geceler

    Cm
Hep sen
              Bb
Neyi yazabilmişsem
              Ab
Neyi silebilmişsem
            Cm
Sorulur senden

     Cm
Kalk gel
            Bb
Öyle dargın durma
           Ab
Soğur için sonra
           Cm
Zor olur öyle

End of song Play again?

Yalın - Nöbetçi Geceler Tabs

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Harmony analysis

Yalın – Nöbetçi Geceler: key and chord analysis

The song opens on Cm and ends on Cm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it both starts and finishes on Cm and Cm is heard 11 times against 1 for Eb. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	1×
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	2×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	1×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	7×
V	Bb	Dominant — strongest pull home	Bb · D · F	6×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	11×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—
vii	Dm	Chromatic colour chordoutside the key	D · F · A	1×

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	11×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
ii	Dm	Chromatic colour chordoutside the key	D · F · A	1×
III	Eb	Relative major — the bright side	Eb · G · Bb	1×
iv	Fm	Subdominant — moves away from home	F · Ab · C	2×
v	Gm	Minor dominant — soft pull	G · Bb · D	1×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	7×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	6×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 7 different chords appear 29 times in total; 6 of them sit naturally inside the shared scale. Dm step outside the scale as colour chords.

Chord movement

Ab Cm EbIV → vi CmVI → iVI → i ×6
Fm Cm Ebii → vi Cmiv → iminor plagal ×1
Fm Bb Ebii → Vii → V Cmiv → VII ×1
Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×1

The move to watch is Ab → Cm, heard 6 times. From the Cm side it is VI → i (VI → i: falls a half step into home); from the Eb side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

4 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

Starting on Cm, the song gives away its key from the very first bar. The backbone is Cm, Ab, Bb, Fm — vi–IV–V–ii from the Eb side, i–VI–VII–iv from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Cm (IV → vi in Eb, VI → i in Cm): VI → i — falls a half step into home. Ending on Cm, the song seals Cm as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.