Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Özdemir Erdoğan - Bana Ellerini Ver - Chord
Key Bb major – G minor Chords Cm7, Bb, Gm, F7, D7, Ebmaj7, F Easy key C
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Key: Bb | Gm
Capo: 0
Cm7 F7 Bb Ebmaj7 Cm7 D7 Gm
Gm Cm7
Ben bal arısı gibiydim senden önce
F7 Bb
Bak pervanelere döndüm seni görünce
Cm7 F7
Yana yana kül olsam her an
Bb Ebmaj7
Yine de senden ayrılamam
Cm7 D7 Gm
Yoluna adadım ömrümü ben sensiz olamam
Cm7 F
Yana yana kül olsam her an
Bb Ebmaj7
Yine de senden ayrılamam
Cm7 D7 Gm
Bin yıl yaşasam yine sana doyamam
Bb Cm7 D7 Gm
Sana gönlümü verdim ey nazlı güzel
Bb Cm7 F7 Bb
Seni almazsam gözlerim açık gider
Cm7 F7 Bb Ebmaj7
Bana ellerini ver hayat seni sevince güzel
Cm7 D7 Gm
Yoluna adadım ömrümü ben gel kaçma güzel
Cm7 F7 Bb Ebmaj7
Bana ellerini ver hayat seni sevince güzel
Cm7 D7 Gm
Sana gönlümü verdim nazlı güzel
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Özdemir Erdoğan - Bana Ellerini Ver Tabs
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Harmony analysis
Özdemir Erdoğan – Bana Ellerini Ver: key and chord analysis
The song opens on Cm7 and ends on Gm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
- #7 = F# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it comes to rest on Gm, Bb is heard 9 times against 7 for Gm and the major V chord points straight at Gm. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | 9× |
| ii7 | Cm7 | Supertonic — prepares the dominant | C · Eb · G · Bb | 13× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | — |
| V7/vi | D7 | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A · C | 6× |
| IVmaj7 | Ebmaj7 | Subdominant — moves away from home | Eb · G · Bb · D | 5× |
| V7 | F7 | Dominant — strongest pull home | F · A · C · Eb | 6× |
| V | F | Dominant — strongest pull home | F · A · C | 1× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 7× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 7× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | 9× |
| iv7 | Cm7 | Subdominant — moves away from home | C · Eb · G · Bb | 13× |
| v | Dm | Minor dominant — soft pull | D · F · A | — |
| V7 | D7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A · C | 6× |
| VImaj7 | Ebmaj7 | Submediant — warm colour | Eb · G · Bb · D | 5× |
| VII7 | F7 | Subtonic — steps back to the tonic | F · A · C · Eb | 6× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 1× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 7 different chords appear 47 times in total; 6 of them sit naturally inside the shared scale. The major V of Gm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Bb, the same D7 is V7/vi, a secondary dominant heading for Gm.
Chord movement
- F7 Bb BbV7 → Iauthentic cadence GmVII7 → III ×6
- D7 Gm BbV7/vi → visecondary resolution GmV7 → iharmonic-minor cadence ×6
- Cm7 F7 Bbii7 → V7ii → V Gmiv7 → VII7 ×6
- Cm7 D7 Bbii7 → V7/vi Gmiv7 → V7iv → V ×6
- F Bb BbV → Iauthentic cadence GmVII → III ×1
- Cm7 F Bbii7 → Vii → V Gmiv7 → VII ×1
The move to watch is F7 → Bb, heard 6 times. From the Gm side it is VII7 → III; from the Bb side it reads V7 → I (authentic cadence: the strongest arrival home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- When D7 comes, swap the scale's F for F#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The opening Cm7 lays a solid floor for everything that follows. The chords that keep coming back are Cm7, Bb, Gm, F7; read them as ii7–I–vi–V7 in Bb or iv7–III–i–VII7 in Gm. D7 is the interesting twist: in Bb it is a chromatic chord (V7/vi), while in Gm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on F7 → Bb (V7 → I in Bb, VII7 → III in Gm): authentic cadence — the strongest arrival home. The final chord is Gm; the ear comes to rest in Gm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Özdemir Erdoğan - Bana Ellerini Ver Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Özdemir ErdoğanMusic: Özdemir Erdoğan
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