Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Mustafa Ceceli - Limon Çiçekleri - Chord
Key Ab major – F minor Chords Fm, C7, Db, Bbm, Eb, Cm, Ab Easy key C
No ratings yet
or your user informations
Make it yours
Text size
Key: Ab | Fm
Capo: 0
Fm C7
Uzakta çok uzakta güneyde
Db
Yazları sıcacık ve aşık
C7
Kışları soğuk ve sensiz
Fm
Bir şehir ve ben üşüyoruz
C7
Bir uğrasan diyoruz
Db
İklimini getirsen
C7
Bereketini bolluğunu
Fm
Örtsen üzerimize
Fm Bbm Eb
Havalansa yine zil çalan eteklerin
Ab Db
Gelip otursa gözlerime göz bebeklerin
Bbm C7 Fm
Öperken içsem ağzının çiçek balını
Fm Bbm Eb
Günahını boynuma seni koynuma alsam
Ab Db
Hem zehrim hem şehrim limon çiçeklerim olsan
bm C7
Ben görmedim böyle alımı çalımı
Fm Eb
Yarabbi duy duyur sesimi
Cm Db
Anlamıyor kimsesizliğimi
Bbm Cm
Yarabbi yetiş yarabbi
Fm Eb
Yarabbi duy duyur sesimi
Cm Db
Anlamıyor çaresizliğimi
Bbm Cm
Yarabbi el ver yarabbi
Fm C7
Tenhada, kuytuda ücrada
Db
Tekinsiz bir mecrada
C7
Dua etsem seni dileyen
Fm
Börtüm böceğim bitki örtüm
C7
Olacak duam olsan
Db
Amin desem hamdetsem
C7
Toprağına kök salsam senle
Fm
Nihayet bulsa ömrüm
End of song Play again?
Mustafa Ceceli - Limon Çiçekleri Tabs
NotesX
Harmony analysis
Mustafa Ceceli – Limon Çiçekleri: key and chord analysis
The song opens on Fm and ends on Fm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
- #7 = E (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it both starts and finishes on Fm, Fm is heard 11 times against 2 for Ab and the major V chord points straight at Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 2× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 5× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 4× |
| V7/vi | C7 | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G · Bb | 9× |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 8× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 4× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 11× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 11× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 2× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 5× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 4× |
| V7 | C7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G · Bb | 9× |
| VI | Db | Submediant — warm colour | Db · F · Ab | 8× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 4× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 7 different chords appear 43 times in total; 6 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Ab, the same C7 is V7/vi, a secondary dominant heading for Fm.
Chord movement
- C7 Fm AbV7/vi → visecondary resolution FmV7 → iharmonic-minor cadence ×5
- Eb Ab AbV → Iauthentic cadence FmVII → III ×2
- Bbm Eb Abii → Vii → V Fmiv → VII ×2
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×2
- Bbm C7 Abii → V7/vi Fmiv → V7iv → V ×1
- Db Fm AbIV → vi FmVI → iVI → i ×1
The move to watch is C7 → Fm, heard 5 times. From the Fm side it is V7 → i (harmonic-minor cadence: the major V resolves dramatically); from the Ab side it reads V7/vi → vi (secondary resolution: C7 resolves a fourth up to Fm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over C7, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- When C7 comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The opening Fm lays a solid floor for everything that follows. The chords that keep coming back are Fm, C7, Db, Bbm; read them as vi–V7/vi–IV–ii in Ab or i–V7–VI–iv in Fm. C7 is the interesting twist: in Ab it is a chromatic chord (V7/vi), while in Fm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on C7 → Fm (V7/vi → vi in Ab, V7 → i in Fm): harmonic-minor cadence — the major V resolves dramatically. The final chord is Fm; the ear comes to rest in Fm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mustafa Ceceli - Limon Çiçekleri Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.