Mustafa Ceceli - Saçma Sapan - Chord

Key Ab major – F minor Chords Fm, Abmaj7, Dbmaj7, Cm7, Db, Cm, Bbm, Ab Easy key C

Add to Repertoire

No ratings yet

or your user informations

Capo 0

Fm                     Db
Saçma sapan cümlelerden
                          Cm
Hayatımı mahveden gülmelerden
                             Abmaj7
İnandığım bu onca yeminlerden

Fm                   Dbmaj7           Cm 
Unutuldu tüm bilinenler, off, yeniden gel
                                Ab
Gel parçalansın bütün doğrularım

Ben hayalimde sadece seni kurgularım
Fm                                      Dbmaj7
Harap oldu duygularım ve kaçtı uykularım
                            Cm7
Benim kaygılarım var, acılarım, off
                            Abmaj7
Tükenmeyen ayrılık sancıları
                  Bbm              Dbmaj7   Cm
Zamanla demir aldı gönlümün yolcuları

Fm                     Db
Saçma sapan cümlelerden
                          Cm7
Hayatımı mahveden gülmelerden
                             Abmaj7
İnandığım bu onca yeminlerden
                      Bbm
Elimden kayıp gidenlerden
      Db                Cm7
Ömrümden, aldın beni benden
                            Abmaj7
Şimdi haber yok o gemilerden

Gönüldedir gözümde silinenler

Fm                   Dbmaj7           Cm 
Unutuldu tüm bilinenler, off, yeniden gel
                                Ab
Gel parçalansın bütün doğrularım

Ben hayalimde sadece seni kurgularım
Fm                                      Dbmaj7
Harap oldu duygularım ve kaçtı uykularım
                            Cm7
Benim kaygılarım var, acılarım, off
                            Abmaj7
Tükenmeyen ayrılık sancıları
                  Bbm              Dbmaj7   Cm
Zamanla demir aldı gönlümün yolcuları

Fm                     Db
Saçma sapan cümlelerden
                          Cm7
Hayatımı mahveden gülmelerden
                             Abmaj7
İnandığım bu onca yeminlerden
                      Bbm
Elimden kayıp gidenlerden
      Db                Cm7
Ömrümden, aldın beni benden
                            Abmaj7
Şimdi haber yok o gemilerden

Gönüldedir gözümde silinenler

End of song Play again?

Mustafa Ceceli - Saçma Sapan Tabs

NotesX

Harmony analysis

Mustafa Ceceli – Saçma Sapan: key and chord analysis

The song opens on Fm and ends on Abmaj7. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Ab major side because it comes to rest on Ab, it opens on Fm and Ab is heard 9 times against 7 for Fm. That is an interpretation, not a rule — hearing the same chords from F minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
Imaj7	Abmaj7	Tonic — home	Ab · C · Eb · G	7×
I	Ab	Tonic — home	Ab · C · Eb	2×
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	4×
iii7	Cm7	Mediant — a tonic-family shade	C · Eb · G · Bb	6×
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	5×
V/vi	C	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G	—
IVmaj7	Dbmaj7	Subdominant — moves away from home	Db · F · Ab · C	6×
IV	Db	Subdominant — moves away from home	Db · F · Ab	5×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	—
vi	Fm	Relative minor — the melancholy side	F · Ab · C	7×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	7×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
IIImaj7	Abmaj7	Relative major — the bright side	Ab · C · Eb · G	7×
III	Ab	Relative major — the bright side	Ab · C · Eb	2×
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	4×
v7	Cm7	Minor dominant — soft pull	C · Eb · G · Bb	6×
v	Cm	Minor dominant — soft pull	C · Eb · G	5×
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VImaj7	Dbmaj7	Submediant — warm colour	Db · F · Ab · C	6×
VI	Db	Submediant — warm colour	Db · F · Ab	5×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	—

Analysis

The key pair is Ab major and its relative F minor (4 flats). 8 different chords appear 42 times in total; 8 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Cm Fm Abiii → vi Fmv → inatural-minor cadence ×2

The move to watch is Cm → Fm, heard 2 times. From the Ab side it reads iii → vi; from the Fm side it is v → i (natural-minor cadence: gentle, modal arrival). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Abmaj7, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Dbmaj7, land on Db, F, Ab — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

4 semitones up
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

Starting on Fm, the song gives away its key from the very first bar. The chords that keep coming back are Fm, Abmaj7, Dbmaj7, Cm7; read them as vi–Imaj7–IVmaj7–iii7 in Ab or i–IIImaj7–VImaj7–v7 in Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Cm → Fm (iii → vi in Ab, v → i in Fm): natural-minor cadence — gentle, modal arrival. Ending on Abmaj7, the song seals Ab as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.