Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Mantra - Kaldım Ellerinde - Chord
Key F major – D minor Chords Am7, Dm7, Gm7 Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Dm7 Am7 Gm7 Am7
Kaldım ellerinde
Dm7
Kifayetsiz kalır sözlerim
Am7
Anlatamam seni nasıl özledim
Gm7
Tabi aşk ister biraz özveri
Am7
Gidemezsin hiçbir yere söz verip
Dm7
Yaşamalıyız seninle enleri
Am7
Görmeliyiz en güzel günleri
Gm7
Hislerimiz andırır denizleri
Am7
Birlikte keşfedelim derinleri
Dm7 Am7
Sen bir yanda ben bir yanda olmaz
Gm7 Am7
Görsem rüyamda bile istemem uyanmak
Dm7 Am7
Her şey seninle kazanırken anlam
Gm7 Am7
Soğuk durma ateşimi harla
Dm7
Kaldım ellerinde
Am7
Vurdun hedefi tam yerinden
Gm7
Aşk gelince saklanamazsın
Am7
Yakalar o yaka paça kurtulamazsın
Dm7
Daldım en derinlere
Am7
Bir dünya buldum gözlerinde
Gm7
Taht kurarım engel olamazsın
Am7
Takılır diline adım hiç unutamazsın
Dm7 Am7
Öpsen yanağımdan, dayanamam utanırım
Gm7 Am7
Sana hemen inanırım, kalbimi kaptırırım
Ateşimi harla
Dm7 Am7 Gm7 Am7
Dm7 Am7
Sen bir yanda ben bir yanda olmaz
Gm7 Am7
Görsem rüyamda bile istemem uyanmak
Dm7 Am7
Her şey seninle kazanırken anlam
Gm7 Am7
Soğuk durma ateşimi harla
Dm7
Kaldım ellerinde
Am7
Vurdun hedefi tam yerinden
Gm7
Aşk gelince saklanamazsın
Am7
Yakalar o yaka paça kurtulamazsın
Dm7
Daldım en derinlere
Am7
Bir dünya buldum gözlerinde
Gm7
Taht kurarım engel olamazsın
Am7
Takılır diline adım hiç unutamazsın
Dm7 Am7
Parla, parla, ateşimi harla, harla
Gm7
Mutluluktan parlar, parlar
Am7
Bu gözlerim yalnızca, sana bakınca
Dm7 Am7
Anla, anla ateşimi harla, harla
Gm7
Mutluluktan parlar, parlar
Am7
Bu gözlerim yalnızca
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Mantra - Kaldım Ellerinde Tabs
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Harmony analysis
Mantra – Kaldım Ellerinde: key and chord analysis
The song opens on Dm7 and ends on Am7. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it opens on Dm and Dm is heard 15 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii7 | Gm7 | Supertonic — prepares the dominant | G · Bb · D · F | 15× |
| iii7 | Am7 | Mediant — a tonic-family shade | A · C · E · G | 30× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | — |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi7 | Dm7 | Relative minor — the melancholy side | D · F · A · C | 15× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Dm7 | Tonic — home | D · F · A · C | 15× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv7 | Gm7 | Subdominant — moves away from home | G · Bb · D · F | 15× |
| v7 | Am7 | Minor dominant — soft pull | A · C · E · G | 30× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | — |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 3 different chords appear 60 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Am7 Dm7 Fiii7 → vi7 Dmv7 → i7natural-minor cadence ×14
The move to watch is Am7 → Dm7, heard 14 times. From the Dm side it is v7 → i7 (natural-minor cadence: gentle, modal arrival); from the F side it reads iii7 → vi7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
The first chord is Dm7; the ear learns where home is within a second. The backbone is Am7, Dm7, Gm7 — iii7–vi7–ii7 from the F side, v7–i7–iv7 from the Dm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am7 → Dm7 (iii7 → vi7 in F, v7 → i7 in Dm): natural-minor cadence — gentle, modal arrival. The final chord is Am7; the ear comes to rest in F.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mantra - Kaldım Ellerinde Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Sheyh ReeMusic: Sheyh Ree
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