Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Mert Demir - Unuttun Sen Beni - Chord
Key Eb major – C minor Chords Gm7, Abmaj7, Fm7 Easy key C (capo 3)
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Key: Eb | Cm
Capo: 0
Abmaj7 Gm7 Unuttun sen beni Fm7 Gm7 Gözlerinden belli Abmaj7 Gm7 Ne kadar acı di mi? Fm7 Gm7 İki yabancı gibi Abmaj7 Gm7 Fm7 Gm7 x2 Abmaj7 Gm7 Gidiyo'sun o zaman Abmaj7 Gm7 Selam, sabah almadan Abmaj7 Gm7 Sana da bu yakışır Abmaj7 Gm7 Mutluluk yine bana haram Abmaj7 Gm7 Unuttun sen beni Fm7 Gm7 Gözlerinden belli Abmaj7 Gm7 Ne kadar acı di mi? Fm7 Gm7 İki yabancı gibi Abmaj7 Gm7 Gidiyo'sun o zaman Abmaj7 Gm7 Selam, sabah almadan Abmaj7 Gm7 Sana da bu yakışır Abmaj7 Gm7 Mutluluk yine bana haram Abmaj7 Gm7 Unuttun sen beni Fm7 Gm7 Gözlerinden belli Abmaj7 Gm7 Ne kadar acı di mi? Fm7 Gm7 İki yabancı gibi
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Mert Demir - Unuttun Sen Beni Tabs
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Harmony analysis
Mert Demir – Unuttun Sen Beni: key and chord analysis
The song opens on Abmaj7 and ends on Gm7. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii7 | Fm7 | Supertonic — prepares the dominant | F · Ab · C · Eb | 7× |
| iii7 | Gm7 | Mediant — a tonic-family shade | G · Bb · D · F | 22× |
| III | G | Chromatic colour chordoutside the key | G · B · D | — |
| IVmaj7 | Abmaj7 | Subdominant — moves away from home | Ab · C · Eb · G | 15× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | — |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | — |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv7 | Fm7 | Subdominant — moves away from home | F · Ab · C · Eb | 7× |
| v7 | Gm7 | Minor dominant — soft pull | G · Bb · D · F | 22× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VImaj7 | Abmaj7 | Submediant — warm colour | Ab · C · Eb · G | 15× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 44 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Abmaj7, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
- Over Fm7, land on F, Ab, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
The opening Abmaj7 lays a solid floor for everything that follows. The backbone is Gm7, Abmaj7, Fm7 — iii7–IVmaj7–ii7 from the Eb side, v7–VImaj7–iv7 from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Gm7, letting the Eb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mert Demir - Unuttun Sen Beni Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Mert DemirMusic: Mert Demir
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