Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Key Eb major – C minor Chords Ab, Cm, Bb, Gm, Bb/D, Cm7, Eb, Fm7 Easy key G
Cm Ab Cm Ab
Story of my life, searching for the right, but it keeps avoiding me
Cm Ab Cm Ab
Sorrow in my soul, cause it seems that wrong, really loves my company
Cm Ab Cm Ab
His more than a man and this is more than love the reason that this sky is blue
Cm Ab Cm Gm
the clouds are rolling in because I'm gone again and to him I just can't be true
Ab Bb Cm Gm
and I know that he knows I'm unfaithful and it kills him inside
Ab Bb Ab
to know that I am happy with some other guy
I can see him dying
Cm Ab Bb
I don't wanna do this anymore
Gm Cm
I don't wanna be the reason why
Ab Bb
Everytime I walk out the door
Gm Cm
I see him die a little more inside
Ab Bb
I don't wanna hurt him anymore
Gm Ab
I don't wanna take away his life
Bb/D Cm
I don't wanna be... a murderer
Cm Ab Cm Ab
I feel it in the air as I'm doing my hair preparing for another day
Cm Ab Cm Ab
A kiss up on my cheek He's here reluctantly as if I'm gonna be out late
Cm7 Ab Cm Ab
I say I won't be long Just hanging with the girls A liar didn't have to tell
Cm Ab Cm Gm
Because we both know where I'm about to go and we know it very well
Ab Bb Cm Gm
cause I know that he knows I'm unfaithful and it kills him inside
Ab Bb Ab
to know that I am happy with some other guy
I can see him dying
Cm Bb
Our love, his trust
Eb Fm7 Ab Bb Ab
I might as well take a gun and put it to his head Get it over with
I don't wanna do this
Anymore
No no no no
Yeah yeah yeah
End of song Play again?
Harmony analysis
The song opens on Cm and ends on Ab. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 23 times against 1 for Eb. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | 1× |
| ii7 | Fm7 | Supertonic — prepares the dominant | F · Ab · C · Eb | 1× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 7× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 26× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 9× |
| V | Bb/D | Dominant — strongest pull home | Bb · D · F | 1× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 22× |
| vi7 | Cm7 | Relative minor — the melancholy side | C · Eb · G · Bb | 1× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 22× |
| i7 | Cm7 | Tonic — home | C · Eb · G · Bb | 1× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | 1× |
| iv7 | Fm7 | Subdominant — moves away from home | F · Ab · C · Eb | 1× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 7× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 26× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 9× |
| VII | Bb/D | Subtonic — steps back to the tonic | Bb · D · F | 1× |
The key pair is Eb major and its relative C minor (3 flats). 8 different chords appear 68 times in total; 8 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Ab → Cm, heard 15 times. From the Cm side it is VI → i (VI → i: falls a half step into home); from the Eb side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
Starting on Cm, the song gives away its key from the very first bar. The chords that keep coming back are Ab, Cm, Bb, Gm; read them as IV–vi–V–iii in Eb or VI–i–VII–v in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Cm (IV → vi in Eb, VI → i in Cm): VI → i — falls a half step into home. The final chord is Ab; the ear comes to rest in Eb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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