Major view
B major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A# (leading tone, pulls home)
- 4 = E (the note that leans on the 3rd)
Kahraman Deniz - Beyhude Bir Gam - Chord
Key B major – G# minor Chords E, G#m, B, F# Easy key G (capo 4)
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Key: B | Abm | G#m
Capo: 0
E E F# E E F# G#m G#m F# F# E
G#m B
Ne zaman gelsen bana
E
Güneş başka güneş olur
Ay başka bir ay
G#m B
Ne zaman gülsen bana
E
Boş laflarım utanır
Şarkıya-şiire döner
G#m B
Haybeye mi savaştım
E F#
Düşlerden düştüm, yine kahır
G#m B
Gelenin süresi az
E F#
Gidenin de anca anısı kalır
G#m B E
Büyüdüğüne kanan bir çocuğum ben
F#
Al, sinene yatır
G#m B E
Neden özüne ulaştım sanıyorken
Hep bir adım geri kalır?
G#m B
Ayrılığa nasıl ikna oldun sen?
E
Ağla gönül, ağla
G#m B
Baktığın o çöl, şimdi gördün ki
E
Hem deniz hem damla
G#m B
Korktum yârimden, kaçtım düşmekten
E
Bir daha mı? asla!
G#m B
Ben neye harcadım ömrümü, cânım
E
Beyhude bir gamla?
G#m B E E G#m B E E
G#m B
Gel, direğimi kırmışsam, çarkımı sağa dönmüşsem
E
Dem tutmadan ölmüşsem, ah, affet beni
G#m B
Doğruyu bile bile yine yanlış yolu seçtiysem
E
Sen benden geçtiysen, vah ki ne vah!
G#m B
Ayrılığa nasıl ikna oldun sen?
E
Ağla gönül, ağla
G#m B
Baktığın o çöl, şimdi gördün ki
E
Hem deniz hem damla
G#m B
Korktum yârimden, kaçtım düşmekten
E
Bir daha mı? asla!
G#m B
Ben neye harcadım ömrümü, cânım
E
Beyhude bir gamla?
End of song Play again?
Kahraman Deniz - Beyhude Bir Gam Tabs
NotesX
Harmony analysis
Kahraman Deniz – Beyhude Bir Gam: key and chord analysis
The song opens on E and ends on E. Its chords belong to both B major and G#m, so every chord below is read both ways.
Minor view
G# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = E (the minor's melancholy)
- b7 = F# (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G# minor side because G#m is heard 20 times against 18 for B. That is an interpretation, not a rule — the same chords are just as valid seen from B major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to B or to G#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | B | Tonic — home | B · D# · F# | 18× |
| ii | C#m | Supertonic — prepares the dominant | C# · E · G# | — |
| iii | D#m | Mediant — a tonic-family shade | D# · F# · A# | — |
| V/vi | D# | Secondary dominant V/vi — leads to G#msecondary dominant | D# · G · A# | — |
| IV | E | Subdominant — moves away from home | E · G# · B | 25× |
| V | F# | Dominant — strongest pull home | F# · A# · C# | 7× |
| vi | G#m | Relative minor — the melancholy side | G# · B · D# | 20× |
| vii° | A#dim | Leading-tone chord — tension | A# · C# · E | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | G#m | Tonic — home | G# · B · D# | 20× |
| ii° | A#dim | Supertonic — prepares the dominant | A# · C# · E | — |
| III | B | Relative major — the bright side | B · D# · F# | 18× |
| iv | C#m | Subdominant — moves away from home | C# · E · G# | — |
| v | D#m | Minor dominant — soft pull | D# · F# · A# | — |
| V | D# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D# · G · A# | — |
| VI | E | Submediant — warm colour | E · G# · B | 25× |
| VII | F# | Subtonic — steps back to the tonic | F# · A# · C# | 7× |
Analysis
The key pair is B major and its relative G# minor (5 sharps). 4 different chords appear 70 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- E G#m BIV → vi G#mVI → iVI → i ×15
- E F# BIV → VIV → V G#mVI → VIIVI → VII ×5
- F# G#m BV → videceptive cadence G#mVII → iAeolian arrival ×4
The move to watch is E → G#m, heard 15 times. From the G#m side it is VI → i (VI → i: falls a half step into home); from the B side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- B major pentatonic and G# minor pentatonic are the same five notes (B – C# – D# – F# – G#): start from B for a brighter phrase, from G# for a bluesier one.
- Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
- Over G#m, land on G#, B, D# — the chord's own tones always sound right on strong beats.
- Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With B major shapes
- Capo 2 + A shapes
- Capo 4 + G shapes
- Capo 7 + E shapes
With G# minor shapes
- Capo 4 + Em shapes
- Capo 6 + Dm shapes
Easiest keys on guitar
- 4 semitones down · capo 4 keeps the original pitch
- 2 semitones down · capo 2 keeps the original pitch
The song's harmonic story
The first chord is E; the ear learns where home is within a second. The chords that keep coming back are E, G#m, B, F#; read them as IV–vi–I–V in B or VI–i–III–VII in G#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on E → G#m (IV → vi in B, VI → i in G#m): VI → i — falls a half step into home. It closes on E, letting the B side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Kahraman Deniz - Beyhude Bir Gam Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Kahraman DenizMusic: Kahraman DenizArrangement: Emre Kantaşlı
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