Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Ati242 - Telefon - Chord
Key Bb major – G minor Chords Cm, Gm, Dm Easy key C
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Key: Bb | Gm
Capo: 0
Gm Dm Cm Cm
Gm Dm
30 bin parfüm, şişe ve pipet
Cm
5 yıldız hotel, İstanbul City
Odalar pafküf, hepsi hepatit
Gm
Onca mavi tikli, popolar sikik
Dm
Hayat cest la vie, herkes konuşur
Cm
Yapamayan herkesin dili kurşun
Lambo diablo orospu rujlu
Gm
Yapıştı şeytanlar yakama baba
Gm Dm Cm Cm
(Tüm şarkı boyunca aynı akor döngüsü deva eder)
Geçmişim kafamda tasmasız zaman kadınlar yalan ve yok empati
Girdim ortama taradım tu tu tu tu kız sevdi buldu beni sempatik
Ex aşkım hala peşimde değil hala deşifre değil
Normal bi hayatı var
Şöhret ve para güç getirdi sanarken silahı kafama dayadılar
Bastım papeli yahudi gibi
Yıkandım içinde jakuzi gibi
Hala tüm ülke avucum içi
Aklında bulunsun kodumun piçi
Gökdelenden izledim psikoz geçirdiğim evi
Yazmaz kitapta
Hah!
Her taraf kan emen
Çekilsem sahneden
Telefon çalmaz bir dakika
Gözlerim kızıl çekme foto
Düşün yakamdan açma Telefon
Kahverengi çarşaf
Dans eden dumanlı kadınlar
Yanımda wua wua wua
Maskelere gizli
Doldurdum viski
Anksiyete krizi
Telefon
Yüksek tavanlara sıkışmış ruhlar
Her günümüz kıyas
Dost gibi düşman
Kurt gibi sırtlanlar
Aslanın peşinde
Kumpas
Hepsi en kurnaz
Ama ortamın en piçi kim senin kız iyi bilir
Girdiğiniz kalplerde yok işim ama bil hepsinde heykelim dikili
Ferragamo Chanel Casablanca
Yastıklar puf telefonda rulet
Hala sabah beşde kelle paça
Bi günüm Milano bi günümse Phuket
Hayat acı bitter çikolata
Bi Yandan da tatlı
Ölümse seçenek
Fırsatı yarat sevdiğin gibi yaşa
Dünya çok kısa
Hep gülümse bebek
Audi RS Benz Coupe Sport
Rollen in Berlin Kotbusser Tor
Popopo popo! Alle babas sind hinter mir
Chill in Italy big money fick Maria
Wir pushen hits mit puşi’s digga
In hotelroom groopies fette pussy’s digga
Pullin’ the trigger mit Spotify chart list
Bin immer noch focus und heartless
Gözlerim kızıl çekme foto
Düşün yakamdan açma telefon
Kahverengi çarşaf
Dans eden dumanlı kadınlar
Yanımda wua wua wua
Maskelere gizli
Doldurdum viski
Anksiyete krizi
Telefon
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Ati242 - Telefon Tabs
NotesX
Harmony analysis
Ati242 – Telefon: key and chord analysis
The song opens on Gm and ends on Cm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it opens on Gm and Gm is heard 5 times while Bb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | — |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 6× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | 4× |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | — |
| V | F | Dominant — strongest pull home | F · A · C | — |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 5× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 5× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | — |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 6× |
| v | Dm | Minor dominant — soft pull | D · F · A | 4× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | — |
| VII | F | Subtonic — steps back to the tonic | F · A · C | — |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 3 different chords appear 15 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Cm Gm Bbii → vi Gmiv → iminor plagal ×3
The move to watch is Cm → Gm, heard 3 times. From the Gm side it is iv → i (minor plagal: deep and melancholic); from the Bb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The opening Gm lays a solid floor for everything that follows. The chords that keep coming back are Cm, Gm, Dm; read them as ii–vi–iii in Bb or iv–i–v in Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Cm → Gm (ii → vi in Bb, iv → i in Gm): minor plagal — deep and melancholic. Ending on Cm, the song seals Bb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ati242 - Telefon Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ati242Music: Efe Can, Ati242, Baho
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