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Semicenk - Sahte Sonbahar - Chord

Key Db major – Bb minor Chords Fm, Bbm, Ebm Easy key C (capo 1)

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Capo 0
Bbm  Fm  Ebm  Fm

Bbm             Fm                      Ebm
 Sensiz kaçıncı gün, kaçıncı sahte sonbahar?
              Fm                      Bbm 
Nasıl dolar yerin bi' başkasıyla sorsalar?
               Fm                        Ebm
Unutmadım, çok özledim, bi' parçam hep kanar
              Fm                 Bbm 
Tüm hatıran yalan, ben orda kaybolan

  Fm                   Ebm
Oooooh, bi' ben mi mahvolan?
  Fm                  Bbm
Oooooh, ufkunda kaybolan
    Fm                    Ebm
Bi' bakış, bi' kaçış, bi' ateş yakarış
  Fm
Kaçıncı aldanış?

Bbm                   Fm                      Ebm
Nasıl kül gibi bittiğimi, nasıl en dibe ittiğini
                       Fm                         Bbm 
Ben unutmadım hiçbi' şeyi, sen hatırlama, boş verelim
                  Fm                   Ebm
Yeri gelmez günlerimi nasıl zehir ettiğini
                       Fm                         Bbm 
Ben unutmadım hiçbi' şeyi, sen hatırlama, boş verelim

Bbm             Fm                      Ebm
 Sensiz kaçıncı gün, kaçıncı sahte sonbahar?
              Fm                      Bbm 
Nasıl dolar yerin bi' başkasıyla sorsalar?
               Fm                        Ebm
Unutmadım, çok özledim, bi' parçam hep kanar
              Fm                 Bbm 
Tüm hatıran yalan, ben orda kaybolan

  Fm                   Ebm
Oooooh, bi' ben mi mahvolan?
  Fm                  Bbm
Oooooh, ufkunda kaybolan
    Fm                    Ebm
Bi' bakış, bi' kaçış, bi' ateş yakarış
  Fm
Kaçıncı aldanış?

Bbm                
Yaklaşmak zor nefes almaktan
Fm                          Ebm
Dokunmakta zor gelir uzakta kalmaktan
                       Fm                           Bbm
Bak, yorgun düştün, her gün aynı yerden isabet almaktan
                   Fm                     Ebm
Hep başa sarmaktan, sardıkça kaybolan arzulardan
             Fm                      Bbm
Aradığım hatırandan, yabancı sevdalardan

End of song Play again?

Semicenk - Sahte Sonbahar Tabs

NotesX

Harmony analysis

Semicenk – Sahte Sonbahar: key and chord analysis

The song opens on Bbm and ends on Bbm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = C (leading tone, pulls home)
  • 4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = Gb (the minor's melancholy)
  • b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Bb minor side because it both starts and finishes on Bbm and Bbm is heard 15 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree Chord Role Notes In song
I Db Tonic — home Db · F · Ab —
ii Ebm Supertonic — prepares the dominant Eb · Gb · Bb 13×
iii Fm Mediant — a tonic-family shade F · Ab · C 26×
V/vi F Secondary dominant V/vi — leads to Bbmsecondary dominant F · A · C —
IV Gb Subdominant — moves away from home Gb · Bb · Db —
V Ab Dominant — strongest pull home Ab · C · Eb —
vi Bbm Relative minor — the melancholy side Bb · Db · F 15×
vii° Cdim Leading-tone chord — tension C · Eb · Gb —
Seen from Bb minor
Degree Chord Role Notes In song
i Bbm Tonic — home Bb · Db · F 15×
ii° Cdim Supertonic — prepares the dominant C · Eb · Gb —
III Db Relative major — the bright side Db · F · Ab —
iv Ebm Subdominant — moves away from home Eb · Gb · Bb 13×
v Fm Minor dominant — soft pull F · Ab · C 26×
V F Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor F · A · C —
VI Gb Submediant — warm colour Gb · Bb · Db —
VII Ab Subtonic — steps back to the tonic Ab · C · Eb —

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 3 different chords appear 54 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

  1. Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×13

The move to watch is Fm → Bbm, heard 13 times. From the Bbm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Db side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
  • Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
  • Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
  • Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With Db major shapes

    • Capo 1 + C shapes
    • Capo 4 + A shapes
    • Capo 6 + G shapes

    With Bb minor shapes

    • Capo 1 + Am shapes
    • Capo 6 + Em shapes

    Easiest keys on guitar

    • 1 semitone down · capo 1 keeps the original pitch
    • 4 semitones up

    The song's harmonic story

    The opening Bbm lays a solid floor for everything that follows. The backbone is Fm, Bbm, Ebm — iii–vi–ii from the Db side, v–i–iv from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Bbm (iii → vi in Db, v → i in Bbm): natural-minor cadence — gentle, modal arrival. Ending on Bbm, the song seals Bbm as home.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Semicenk - Sahte Sonbahar Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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