Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Reşit Kemal - Şarap ve Seks (Venus88) - Chord
Key F major – D minor Chords C, Dm, Am, Bb Easy key G
No ratings yet
or your user informations
Make it yours
Text size
Key: F | Dm
Capo: 0
Dm C Am Bb C
Ben seni seviyorum, öpüyorum kocaman
Dm C
Sabaha güneş, hep bana gülsün
Am
Gözünden aksa da yaşlar
Bb C
Yine kalbe süzülsün
Dm C Am Bb C
(Tüm şarkı boyunca aynı akor döngüsü devam eder)
Duramam evet
Seni üzerse günler
Benim odur ki gündem
Gel bana çabuk çözülsün
İnadını yen sen
Bana karşı aşkın bu melodiyi verdi
Ve çalıp kalbi yapalım mı derbi?
Sen ol, her gece unutalım derdi
Uyuyalım aynı yastıkta
Aynı yatakta
Aynı rahatlıkta
Her gün senle buluşalım
Son ana denk şarap ve seks
Önemli değil bana ne kadar dokundu kalp
El altı diz, beden hapis
Beni özgür bırak sanki rüya basit bi' şey
Beni dünyana hapset
Ya da kurtar azad et
Ama gidemem senden (ya, ya)
Sanki bi' lanet
Bebek yağmur olup ıslatabilecek misin?
Beni gökyüzüne kabul edebilecek misin?
Tenindeki gökkuşağını bana vercek misin?
Of-of
Bu bi' müebbet
Başkasına bakamam o gözle
Ömrümün sonuna kadar öpmek
Seni benim özgürlüğüm için cennet (yeah)
Kafam biraz dolu, kızım bakma bana
Bi' öpücüğü yapıştırır şakkadanak
Bi' dolar gibi artar heyecan katlanarak
Ömür gider kırmızı dudaklarına
Senin için güneşleri sağdım, ne kızım bu tavrın?
Bu aşk savaşı mı kızım, niye cephe aldın?
Beni yarım bıraktın, sandın ama tatlım
Bütün ruhumu bi' cümleyle elimden aldın (wo-wo-wow)
Beni sardı bugün de bu dert
Gece saatleri yaklaşıyo
Bi' güneş o uzaklaşıyo
(Wo-wo-wow)
Beni sardı bugün de bu dert
Rüzgarlar inatlaşıyo
Bebek kış yine yaklaşıyo
Son ana denk şarap ve seks
Önemli değil bana ne kadar dokundu kalp
El altı diz, beden hapis
Beni özgür bırak sanki rüya basit bi' şey
Beni dünyana hapset
Ya da kurtar azad et
Ama gidemem senden
Sanki bi' lanet
End of song Play again?
Reşit Kemal - Şarap ve Seks (Venus88) Tabs
NotesX
Harmony analysis
Reşit Kemal – Şarap ve Seks (Venus88): key and chord analysis
The song opens on Dm and ends on C. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it opens on Dm and Dm is heard 3 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | — |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 3× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 3× |
| V | C | Dominant — strongest pull home | C · E · G | 6× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 3× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 3× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | — |
| v | Am | Minor dominant — soft pull | A · C · E | 3× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 3× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 6× |
Analysis
The key pair is F major and its relative D minor (1 flat). 4 different chords appear 15 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bb C FIV → VIV → V DmVI → VIIVI → VII ×3
- C Dm FV → videceptive cadence DmVII → iAeolian arrival ×2
The move to watch is Bb → C, heard 3 times. From the Dm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the F side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 2 semitones up
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
Starting on Dm, the song gives away its key from the very first bar. The backbone is C, Dm, Am, Bb — V–vi–iii–IV from the F side, VII–i–v–VI from the Dm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bb → C (IV → V in F, VI → VII in Dm): VI → VII — the rising step that heads for the tonic. The final chord is C; the ear comes to rest in F.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Reşit Kemal - Şarap ve Seks (Venus88) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Venus88 , Reşit KemalMusic: Venus88 , Reşit Kemal
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.