Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Key Eb major – C minor Chords Gm, Ab, Bb Easy key D (capo 1)
Gm Ab Gm Ab
Gm
Sonunda ben bile boşverdim
Ab
Heveslerimi kursağıma gömdüm
Gm
Gözler de yalan söylermiş
Ab
Sen başkasına bakarken gördüm
Gm
Ne gerekti ki git demek mi
Ab
Sonunu bile bile beklemek mi
Bb
Özlemek mi zor dön demek mi
Ab Gm
Ben vazgeçmekten de çoktan geçtim
Gm
Daha kötü ne olabilir ki
Ab
Canım daha ne kadar acıyabilir ki
Gm Ab
Seni unutabilirdim ama üzgünüm
Acısa da yine sevdim
Gm Ab
Beni bıraktın yarım kalmak hiç olmadı
Kaç gece verdim hatırla
Bb Ab
Bir gençlik bıraktım o pencerenin önünde
Gm
Gel yak utanma
Gm
Daha kötü ne olabilir ki
Ab
Yaram daha ne kadar kanayabilir ki
Gm Ab
Hadi! İnanabilirdim, bir umut görsem dayanabilirdim
Gm
Seni bir liman sanıyorken
Ab
Çoktan suya battı bu yelken
Bb
Sen hiç önde durmadın, hiç yorulmadın
Ab Gm
Ummadığın yerden vurulmadın ki
Gm
Sonunda ben bile boşverdim
Ab
Heveslerimi kursağıma gömdüm
Gm
Gözler de yalan söylermiş
Ab
Sen başkasına bakarken gördüm
Gm
Ne gerekti ki git demek mi
Ab
Sonunu bile bile beklemek mi
Bb
Özlemek mi zor dön demek mi
Ab Gm
Ben vazgeçmekten de çoktan geçtim
End of song Play again?
Harmony analysis
The song opens on Gm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor. Try reading the chords both ways and see which feels more like home to you.
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | — |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 18× |
| III | G | Chromatic colour chordoutside the key | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 18× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 4× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | — |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | — |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | — |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 18× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 18× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 4× |
The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 40 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Ab → Bb, heard 4 times. From the Eb side it reads IV → V (IV → V: the lift that builds tension before home); from the Cm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The opening Gm lays a solid floor for everything that follows. The backbone is Gm, Ab, Bb — iii–IV–V from the Eb side, v–VI–VII from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Bb (IV → V in Eb, VI → VII in Cm): IV → V — the lift that builds tension before home. Ending on Gm, the song seals Eb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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