Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Zeynep Bastık - Goko (Eva Mia) - Chord
Key Eb major – C minor Chords Fm7, Cm7 Easy key C (capo 3)
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Key: Eb | Cm
Capo: 0
Fm7 Cm7
Fm7 Cm7
Onun adı Eva cha, cha mama mia
Fm7 Cm7
Hadi gidelim Shisha sonra İbiza'ya
Fm7 Cm7
Hiç böyle koymamıştı bana mesafe
Fm7 Cm7
Az, az, az kaldı tadıcam seni sabret
Fm7 Cm7
Tüm şarkı boyunca aynı döngü devam eder.
Onun adı Mia sexy latina
Şöyle belini sarsam ederim bayram
Naz, naz, naz nereye kadar bu sahne
Film gibisin reklamlar bile şahane
Esti, esti rüzgar, durmaz sular, akar şelale
Sensiz benim içim buruk, sanki boş bi terane
Silip silip atar aklım, anılarım verane
İlk hamlen bel altı olursa bu ilahi müdahale
Gece kaçıp bana gelsen gelsen sorun ne
Sevişirken değse ömrüm ömrüne
Markete bile çıkmak artık oldu bahane
Balım sen hep gülümse
Onun adı Eva Cha-cha mama mia
Hadi gidelim Shisha sonra İbiza'ya
Hiç böyle koymamıştı bana mesafe
Az, az, az kaldı tadıcam seni sabret
Onun adı Mia sexy latina
Şöyle belini sarsam ederim bayram
Naz, naz, naz nereye kadar bu sahne
Film gibisin reklamlar bile şahane
Elimden tut koşma koskoca yüreğim atıyorsa
Yağmur yağmasın orda bizi beraber islatmıyorsa
Adam olmayı öğrenmedin hiç kadına el kaldırıyorsan
Öpmeye kıyamıyorsam sensiz uyuyamıyorsam
Hiç Hiçbiriniz böyle sevdi mi
Çok seversen bile söylemez misin sevdiğini
Öpüp koklamaz mısın çok özlediğinde beni
Aşık olmak için sakın bekleme değişmemi
Onun adı Eva Cha-cha mama mia
Hadi gidelim Shisha, Sonra İbiza'ya
Hiç böyle koymamıştı bana mesafe
Az kaldı tadıcam seni sabret
Onun adı Mia sexy latina
Şöyle belini sarsam ederim bayram
Naz naz naz nereye kadar bu sahne
Film gibisin reklamlar bile şahane
End of song Play again?
Zeynep Bastık - Goko (Eva Mia) Tabs
NotesX
Harmony analysis
Zeynep Bastık – Goko (Eva Mia): key and chord analysis
The song opens on Fm7 and ends on Cm7. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it comes to rest on Cm and Cm is heard 6 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii7 | Fm7 | Supertonic — prepares the dominant | F · Ab · C · Eb | 6× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | — |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | — |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| vi7 | Cm7 | Relative minor — the melancholy side | C · Eb · G · Bb | 6× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Cm7 | Tonic — home | C · Eb · G · Bb | 6× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv7 | Fm7 | Subdominant — moves away from home | F · Ab · C · Eb | 6× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | — |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | — |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 2 different chords appear 12 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Fm7 Cm7 Ebii7 → vi7 Cmiv7 → i7minor plagal ×6
The move to watch is Fm7 → Cm7, heard 6 times. From the Cm side it is iv7 → i7 (minor plagal: deep and melancholic); from the Eb side it reads ii7 → vi7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Fm7, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
The first chord is Fm7; the ear learns where home is within a second. The backbone is Fm7, Cm7 — ii7–vi7 from the Eb side, iv7–i7 from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm7 → Cm7 (ii7 → vi7 in Eb, iv7 → i7 in Cm): minor plagal — deep and melancholic. The final chord is Cm7; the ear comes to rest in Cm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Zeynep Bastık - Goko (Eva Mia) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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