Mor ve Ötesi - Yardım Et - Chord

Key E major – C# minor Chords A, B, E, C#m, C#m7, F#, F#m, Em … Easy key G

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Capo 0

Em  Em6  Edim  Em  Esus2
Em  Em6  Edim  Em

  C#m7            F#
Hiçbirşey söyleme duymam anlamam
  C#m7             F#
Hayat bir mucize düşer zaman zaman

F#m             A
Yardım et ruhum yardım et bana
F#m                   A            B
Sesini ben duydum çok var hiç duymayan

E      B           A     C#m
Kimler yalansız ki onlar ağlasın
E      B           A
Kimler günahsız ki onlar saklasın
     C#m        B        G#m          A
Yalandan kim ölmüş, zamandan kim korkmuş
E       B         A
Dünya yalan söylüyor

C#m7             F#
Özür bekler gibi kızgın sokaklar
C#m7            F#
Teksastan gelen küstah tokatlar

F#m             A
Zalimin durduğu yerdeyim şimdi
F#m             A           B
Bu bir karnaval nerdeyim şimdi

E      B           A     C#m
Kimler yalansız ki onlar ağlasın
E      B           A
Kimler günahsız ki onlar saklasın
     C#m        B        G#m          A
Yalandan kim ölmüş, zamandan kim korkmuş
    C#m           B         G#m          A
Elinde güller varmış, üstün başın kan olmuş

  C#m7            F#
Hiçbirşey söyleme duymam anlamam
  C#m7             F#
Hayat bir mucize düşer zaman zaman
F#m             A
Tarihin durduğu yerdeyiz şimdi
F#m             A           B
Bu bir karnaval nerdeyiz şimdi

E      B           A     C#m
Kimler yalansız ki onlar ağlasın
E      B           A
Kimler günahsız ki onlar saklasın
     C#m        B        G#m          A
Yalandan kim ölmüş, zamandan kim korkmuş
E       B         A
Dünya yalan söylüyor

End of song Play again?

Mor ve Ötesi - Yardım Et Tabs

NotesX

Harmony analysis

Mor ve Ötesi – Yardım Et: key and chord analysis

The song opens on Em and ends on A. Its chords belong to both E major and C#m, so every chord below is read both ways.

Major view

E major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D# (leading tone, pulls home)
4 = A (the note that leans on the 3rd)

Minor view

C# minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = A (the minor's melancholy)
b7 = B (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C# minor side because C#m is heard 13 times against 9 for E. That is an interpretation, not a rule — the same chords are just as valid seen from E major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from E major
Degree	Chord	Role	Notes	In song
I	E	Tonic — home	E · G# · B	8×
Isus2	Esus2	Tonic — home	E · F# · B	1×
i	Em	Chromatic colour chordoutside the key	E · G · B	4×
i6	Em6	Chromatic colour chordoutside the key	E · G · B · C#	2×
i°	Edim	Chromatic colour chordoutside the key	E · G · Bb	2×
ii	F#m	Supertonic — prepares the dominant	F# · A · C#	6×
V/V	F#	Secondary dominant V/V — leads to Bsecondary dominant	F# · A# · C#	6×
iii	G#m	Mediant — a tonic-family shade	G# · B · D#	4×
V/vi	G#	Secondary dominant V/vi — leads to C#msecondary dominant	G# · B# · D#	—
IV	A	Subdominant — moves away from home	A · C# · E	18×
V	B	Dominant — strongest pull home	B · D# · F#	15×
vi	C#m	Relative minor — the melancholy side	C# · E · G#	7×
vi7	C#m7	Relative minor — the melancholy side	C# · E · G# · B	6×
vii°	D#dim	Leading-tone chord — tension	D# · F# · A	—

Seen from C# minor
Degree	Chord	Role	Notes	In song
i	C#m	Tonic — home	C# · E · G#	7×
i7	C#m7	Tonic — home	C# · E · G# · B	6×
ii°	D#dim	Supertonic — prepares the dominant	D# · F# · A	—
III	E	Relative major — the bright side	E · G# · B	8×
IIIsus2	Esus2	Relative major — the bright side	E · F# · B	1×
iii	Em	Chromatic colour chordoutside the key	E · G · B	4×
iii6	Em6	Chromatic colour chordoutside the key	E · G · B · C#	2×
iii°	Edim	Chromatic colour chordoutside the key	E · G · Bb	2×
iv	F#m	Subdominant — moves away from home	F# · A · C#	6×
IV	F#	Major IV — Dorian / melodic-minor colourmodal colour	F# · A# · C#	6×
v	G#m	Minor dominant — soft pull	G# · B · D#	4×
V	G#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G# · B# · D#	—
VI	A	Submediant — warm colour	A · C# · E	18×
VII	B	Subtonic — steps back to the tonic	B · D# · F#	15×

Analysis

The key pair is E major and its relative C# minor (4 sharps). 12 different chords appear 79 times in total; 8 of them sit naturally inside the shared scale. F# acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

A C#m EIV → vi C#mVI → iVI → i ×7
B E EV → Iauthentic cadence C#mVII → III ×3
A B EIV → VIV → V C#mVI → VIIVI → VII ×3
A E EIV → Iplagal cadence C#mVI → III ×2
A C#m7 EIV → vi7 C#mVI → i7VI → i ×2

The move to watch is A → C#m, heard 7 times. From the C#m side it is VI → i (VI → i: falls a half step into home); from the E side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

E major pentatonic and C# minor pentatonic are the same five notes (E – F# – G# – B – C#): start from E for a brighter phrase, from C# for a bluesier one.
Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With E major shapes

No capo — open E shapes
Capo 2 + D shapes
Capo 4 + C shapes

With C# minor shapes

Capo 4 + Am shapes

Easiest keys on guitar

3 semitones up
2 semitones down · capo 2 keeps the original pitch

The song's harmonic story

Starting on Em, the song gives away its key from the very first bar. The backbone is A, B, E, C#m — IV–V–I–vi from the E side, VI–VII–III–i from the C#m side. F# adds a moment of surprise: secondary dominant V/V — leads to B. Keep an ear on A → C#m (IV → vi in E, VI → i in C#m): VI → i — falls a half step into home. Ending on A, the song seals E as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.