Zeynep Bastık - Yağmur (Bertuğ Cemil) - Chord

Key Bb major – G minor Chords F, Eb, Bb, Dm7, Gm, Cm7, Ebmaj7, Dm … Easy key C

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Capo 0

Gm  F  Eb  Dm7  Cm7  F  Eb

            Bb
 Küçük hesaplarla geçiyor yaşam
Eb           Bb
 Büyük kavgalar küçük şeyler için
Eb                  Bb
 Arsız ayaklar altında alın teri
Cm7    F           Bb
 Kırılgan naif elleri

Eb                     Bb
 Yalanlar, yalanlar, yalanlar
Eb                      Bb
 Bulutların ardındaki güneş gibi gerçek
Eb                   Bb
 Sevilmeye muhtaçken kimileri
Dm              Cm        Ebmaj7
 Kirli avuçlara düşüvereceek

   Gm      F       Ebmaj7  Dm7
Yağmur, yağmur, yağmur, yağmur
Cm7            F               Bb  Dm7
Geri verecek buharlaşan sevgimizi
   Gm      F       Ebmaj7  Dm7
Yağmur, yağmur, yağmur, yağmur
Cm7          F           Gm
Sessizce silecek kibirimizi

Eb          Bb
 Vadide akmayı öğrendi nehrimiz
Eb         Bb
 Kaskatı insanların arasında
Eb                 BB
 Sevincin resmi olacak doğa bir gün
Dm7                    Cm7   Ebmaj7
 Biz genişleyip denize varınca

   Gm      F       Ebmaj7  Dm7
Yağmur, yağmur, yağmur, yağmur
Cm7            F               Bb  Dm7
Geri verecek buharlaşan sevgimizi
   Gm      F       Ebmaj7  Dm7
Yağmur, yağmur, yağmur, yağmur
Cm7          F           Gm  Bb  C
Sessizce silecek kibirimizi

F              C
Bazen tutkudan delirince
       Eb      BB
Kapanmalı kendine
F        C
Yağmurun kucağında
     Eb        Dm  Eb  Dm   Eb  Dm
Doymalı sessizliğeeeeeeeeeeeeeeeeeee

End of song Play again?

Zeynep Bastık - Yağmur (Bertuğ Cemil) Tabs

NotesX

Harmony analysis

Zeynep Bastık – Yağmur (Bertuğ Cemil): key and chord analysis

The song opens on Gm and ends on Dm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.

Major view

Bb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A (leading tone, pulls home)
4 = Eb (the note that leans on the 3rd)

Minor view

G minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Eb (the minor's melancholy)
b7 = F (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Bb major and G minor because it opens on Gm and Bb is heard 12 times against 7 for Gm. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Bb major
Degree	Chord	Role	Notes	In song
I	Bb	Tonic — home	Bb · D · F	12×
ii7	Cm7	Supertonic — prepares the dominant	C · Eb · G · Bb	7×
ii	Cm	Supertonic — prepares the dominant	C · Eb · G	1×
V/V	C	Secondary dominant V/V — leads to Fsecondary dominant	C · E · G	3×
iii7	Dm7	Mediant — a tonic-family shade	D · F · A · C	8×
iii	Dm	Mediant — a tonic-family shade	D · F · A	4×
V/vi	D	Secondary dominant V/vi — leads to Gmsecondary dominant	D · F# · A	—
IV	Eb	Subdominant — moves away from home	Eb · G · Bb	12×
IVmaj7	Ebmaj7	Subdominant — moves away from home	Eb · G · Bb · D	6×
V	F	Dominant — strongest pull home	F · A · C	13×
vi	Gm	Relative minor — the melancholy side	G · Bb · D	7×
vii°	Adim	Leading-tone chord — tension	A · C · Eb	—

Seen from G minor
Degree	Chord	Role	Notes	In song
i	Gm	Tonic — home	G · Bb · D	7×
ii°	Adim	Supertonic — prepares the dominant	A · C · Eb	—
III	Bb	Relative major — the bright side	Bb · D · F	12×
iv7	Cm7	Subdominant — moves away from home	C · Eb · G · Bb	7×
iv	Cm	Subdominant — moves away from home	C · Eb · G	1×
IV	C	Major IV — Dorian / melodic-minor colourmodal colour	C · E · G	3×
v7	Dm7	Minor dominant — soft pull	D · F · A · C	8×
v	Dm	Minor dominant — soft pull	D · F · A	4×
V	D	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D · F# · A	—
VI	Eb	Submediant — warm colour	Eb · G · Bb	12×
VImaj7	Ebmaj7	Submediant — warm colour	Eb · G · Bb · D	6×
VII	F	Subtonic — steps back to the tonic	F · A · C	13×

Analysis

The key pair is Bb major and its relative G minor (2 flats). 10 different chords appear 73 times in total; 9 of them sit naturally inside the shared scale. C acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

Eb Bb BbIV → Iplagal cadence GmVI → III ×8
Cm7 F Bbii7 → Vii → V Gmiv7 → VII ×6
F Bb BbV → Iauthentic cadence GmVII → III ×3
F Gm BbV → videceptive cadence GmVII → iAeolian arrival ×2
Ebmaj7 Gm BbIVmaj7 → vi GmVImaj7 → iVI → i ×2
Dm7 Gm Bbiii7 → vi Gmv7 → inatural-minor cadence ×2

The move to watch is Eb → Bb, heard 8 times. From the Bb side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Gm side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Bb major shapes

Capo 1 + A shapes
Capo 3 + G shapes
Capo 6 + E shapes

With G minor shapes

Capo 3 + Em shapes
Capo 5 + Dm shapes

Easiest keys on guitar

2 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The first chord is Gm; the ear learns where home is within a second. The backbone is F, Eb, Bb, Dm7 — V–IV–I–iii7 from the Bb side, VII–VI–III–v7 from the Gm side. C adds a moment of surprise: secondary dominant V/V — leads to F. Keep an ear on Eb → Bb (IV → I in Bb, VI → III in Gm): plagal cadence — the soft 'amen' ending. It closes on Dm, letting the Bb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Zeynep Bastık - Yağmur (Bertuğ Cemil) Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Bertuğ Cemil

Music: Bertuğ Cemil

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