Ezgi Kosa - Hayat Kavgası - Chord

Key Ab major – F minor Chords Cm7, Fm, Bbm, Db, Eb, C7, Gdim, Abmaj7 … Easy key C

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Capo 0

Fm                        Bbm
 Aynı semtte farklı dertle büyümüşüz biz
Eb          C7         Fm
 Sen sokakta ben evimde üşümüşüz biz
                      Bbm
 Ömür boyu birbirimize gelmişiz de
Eb          C7       Fm
 Başka başka yollarda yürümüşüz biz

Fm             Gdim  Db
 Hayat kavgasında     kaybetmişiz ama
Cm7         Abmaj7
 Belki aşkta kazanırız
Db                        Cm7           Bbm
 Şu talih dönerse bizimde yüzümüze gülerse
                          C7
 Sen benim ben senin göğsüne uzanırız

Fm                   Cm7
 Yaralarımı sar diye geldim sana
Ab                        Eb
 Bir de baktım senin yaran benden de çok
Db                   Cm7
 Kabahatim büyük gibi bakma bana
Bbm       Cm7         Db         Cm7
 Söylesene şu kaderin hiç mi suçu yok

End of song Play again?

Ezgi Kosa - Hayat Kavgası Tabs

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Harmony analysis

Ezgi Kosa – Hayat Kavgası: key and chord analysis

The song opens on Fm and ends on Cm7. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)
#7 = E (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because it opens on Fm, Fm is heard 5 times against 2 for Ab and the major V chord points straight at Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
Imaj7	Abmaj7	Tonic — home	Ab · C · Eb · G	1×
I	Ab	Tonic — home	Ab · C · Eb	1×
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	4×
iii7	Cm7	Mediant — a tonic-family shade	C · Eb · G · Bb	6×
V7/vi	C7	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G · Bb	3×
IV	Db	Subdominant — moves away from home	Db · F · Ab	4×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	3×
vi	Fm	Relative minor — the melancholy side	F · Ab · C	5×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	1×

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	5×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	1×
IIImaj7	Abmaj7	Relative major — the bright side	Ab · C · Eb · G	1×
III	Ab	Relative major — the bright side	Ab · C · Eb	1×
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	4×
v7	Cm7	Minor dominant — soft pull	C · Eb · G · Bb	6×
V7	C7	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G · Bb	3×
VI	Db	Submediant — warm colour	Db · F · Ab	4×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	3×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 9 different chords appear 28 times in total; 8 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Ab, the same C7 is V7/vi, a secondary dominant heading for Fm.

Chord movement

C7 Fm AbV7/vi → visecondary resolution FmV7 → iharmonic-minor cadence ×3
Bbm Eb Abii → Vii → V Fmiv → VII ×2
Bbm C7 Abii → V7/vi Fmiv → V7iv → V ×1

The move to watch is C7 → Fm, heard 3 times. From the Fm side it is V7 → i (harmonic-minor cadence: the major V resolves dramatically); from the Ab side it reads V7/vi → vi (secondary resolution: C7 resolves a fourth up to Fm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
When C7 comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

4 semitones up
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

The opening Fm lays a solid floor for everything that follows. The backbone is Cm7, Fm, Bbm, Db — iii7–vi–ii–IV from the Ab side, v7–i–iv–VI from the Fm side. C7 is the interesting twist: in Ab it is a chromatic chord (V7/vi), while in Fm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on C7 → Fm (V7/vi → vi in Ab, V7 → i in Fm): harmonic-minor cadence — the major V resolves dramatically. Ending on Cm7, the song seals Ab as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Ezgi Kosa - Hayat Kavgası Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Murat Güneş

Music: Murat Güneş

Arrangement: Cem Öget

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