Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Heijan - Yaranamadım - Chord
Key Db major – Bb minor Chords Fm, Gb, Bbm, Ab, Fb Easy key C (capo 1)
No ratings yet
or your user informations
Make it yours
Text size
Key: Db | A#m | Bbm
Capo: 0
Bbm Fm Fb Fm Gb Fm Gb Ab
Bbm
Buz tutmuş kalpler soğuk insanlar
Fm
Herşey bir çıkardan ibaret umut olsanda
Gb
Yanında yokken bile adını ansanda
Fm Gb Ab
Nefret kokar nefesi, yanına varsanda
Bbm Fm
Yaranamadım, yaranamadım
Gb Fm
Yaranamadım insanlara
Gb Ab Bbm
Yaranamadııııııııım
Bbm
Kır dök ortalığı, paramparça et bu kalbi
Fm
Çekil git hayatımdan bir daha dönme geri
Gb
Adını anarsam öldür, yaralı koyma beni
Fm Gb Ab
Can çıkarsa bedenden unuturum gözlerini
Bbm
Kır dök ortalığı paramparça et bu kalbi
Fm
Çekil git hayatımdan bir daha dönme geri
Gb
Adını anarsam öldür yaralı koyma beni
Fm Gb Ab
Can çıkarsa bedenden unuturum sözlerini
Bbm Fm
Yaranamadım, yaranamadım
Gb Fm
Yaranamadım insanlara
Gb Ab Bbm
Yaranamadııııııııım
End of song Play again?
Heijan - Yaranamadım Tabs
NotesX
Harmony analysis
Heijan – Yaranamadım: key and chord analysis
The song opens on Bbm and ends on Bbm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it both starts and finishes on Bbm and Bbm is heard 8 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | — |
| bIII | Fb | Borrowed from the parallel minorborrowed chord | Fb · Ab · Cb | 1× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 13× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 12× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 6× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 8× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 8× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | — |
| #IV | Fb | Chromatic colour chordoutside the key | Fb · Ab · Cb | 1× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 13× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 12× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 6× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 40 times in total; 4 of them sit naturally inside the shared scale. Fb is borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
- Ab Bbm DbV → videceptive cadence BbmVII → iAeolian arrival ×6
- Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×6
The move to watch is Ab → Bbm, heard 6 times. From the Bbm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Db side it reads V → vi (deceptive cadence: expected Db, lands on Bbm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- On Fb, follow the chord's notes (Fb · Ab · Cb) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The first chord is Bbm; the ear learns where home is within a second. Fm, Gb, Bbm, Ab carry the song: iii–IV–vi–V relative to Db, v–VI–i–VII relative to Bbm. Fb briefly darkens the picture: borrowed from the parallel minor. Keep an ear on Ab → Bbm (V → vi in Db, VII → i in Bbm): Aeolian arrival — rises a whole tone into home. The final chord is Bbm; the ear comes to rest in Bbm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Heijan - Yaranamadım Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Repertoires with this song
Similar songs, ready to play: pick a list.
Lyrics: HeijanMusic: HeijanArrangement: Denizkan Boz
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.