Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Anıl Durmuş - Yalanmış - Chord
Key Eb major – C minor Chords Gm7, Fm7, Ab Easy key C (capo 3)
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Key: Eb | Cm
Capo: 0
Gm7 Fm7
Kolay mı sanıyorsun sevmek?
Gm7
Kolay mı sanıyorsun yar?
Fm7
Kolay mı sanıyorsun sevmek?
Ab Gm7
Kolay mı sanıyorsun yar?
Gm7 Fm7
Gece çöktü üstüme güneş hiç ısıtmıyor
Gm7
Yaram derin biraz merhem sürsem de geçmiyor
Fm7
Kuru dallarım düştü fark eden hiç olmadı
Ab
Zaman gelip geçer bende sevdan iz bıraktı
Gm7 Fm7
Yalanmış, yalanmış verdiğin sözler
Gm7 Fm7
İnanmış, bu saf gönlüm
Gm7 Fm7
Yalanmış, yalanmış verdiğin sözler
Gm7 Fm7
İnanmış, bu saf gönlüm
Gm7 Fm7 Gm7 Fm7
Gm7 Fm7
Yalanmış, yalanmış verdiğin sözler
Gm7 Fm7
İnanmış, bu saf gönlüm
Gm7 Fm7
Yalanmış, yalanmış verdiğin sözler
Gm7 Fm7
İnanmış, bu saf gönlüm
End of song Play again?
Anıl Durmuş - Yalanmış Tabs
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Harmony analysis
Anıl Durmuş – Yalanmış: key and chord analysis
The song opens on Gm7 and ends on Fm7. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii7 | Fm7 | Supertonic — prepares the dominant | F · Ab · C · Eb | 14× |
| iii7 | Gm7 | Mediant — a tonic-family shade | G · Bb · D · F | 15× |
| III | G | Chromatic colour chordoutside the key | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 2× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | — |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | — |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv7 | Fm7 | Subdominant — moves away from home | F · Ab · C · Eb | 14× |
| v7 | Gm7 | Minor dominant — soft pull | G · Bb · D · F | 15× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 2× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 31 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Fm7, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The first chord is Gm7; the ear learns where home is within a second. The chords that keep coming back are Gm7, Fm7, Ab; read them as iii7–ii7–IV in Eb or v7–iv7–VI in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Fm7, the song seals Eb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Anıl Durmuş - Yalanmış Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Mert DemirMusic: Mert DemirArrangement: Mert Demir
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