Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Thebehz - Uçurum (Merve Yalçın) - Chord
Key Db major – Bb minor Chords Ab, Bbm, Gbmaj7, Ebm, Db, Gb, Fm Easy key G (capo 6)
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Key: Db | A#m | Bbm
Capo: 0
Bbm Gbmaj7 Ab Db Ab Bbm Aşk diye nerden buldum Gbmaj7 Hangisi gerçek kurgu Ab Gb Ab Aklım karışıyor, yanında Bbm Ben yine hepten durgun Gbmaj7 Sen diye dünden vurdum Ab Yarı yolda bıraktın gittin, yanımdan Bbm Gbmaj7 Salındım düştüm gönlüm helalim saymıştım Ab Ebm Söz verdin kayboldun karım yalnızlık Bbm Gbmaj7 Ben aşkı buldum sandım yandım bıraktım Ab Fm Bbm Sönmüştüm külü kaldı dönüp aldım Bbm Gbmaj7 Ab Ebm Beni dağlara, beni yollara, uçurumlara bıraktın da gittin Bbm Gbmaj7 Öğrendim sonradan, inanmam birdaha Ab Geçmişten karalıyım, ömrümden yaralıyım
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Thebehz - Uçurum (Merve Yalçın) Tabs
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Harmony analysis
Thebehz – Uçurum (Merve Yalçın): key and chord analysis
The song opens on Bbm and ends on Ab. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it opens on Bbm and Bbm is heard 8 times against 1 for Db. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 1× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 2× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 1× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IVmaj7 | Gbmaj7 | Subdominant — moves away from home | Gb · Bb · Db · F | 7× |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 1× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 9× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 8× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 8× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | 1× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 2× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 1× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VImaj7 | Gbmaj7 | Submediant — warm colour | Gb · Bb · Db · F | 7× |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 1× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 9× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 7 different chords appear 29 times in total; 7 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Gbmaj7 Ab DbIVmaj7 → VIV → V BbmVImaj7 → VIIVI → VII ×7
- Ab Bbm DbV → videceptive cadence BbmVII → iAeolian arrival ×3
- Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×2
- Ab Db DbV → Iauthentic cadence BbmVII → III ×1
- Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×1
- Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×1
The move to watch is Gbmaj7 → Ab, heard 7 times. From the Bbm side it is VImaj7 → VII (VI → VII: the rising step that heads for the tonic); from the Db side it reads IVmaj7 → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Gbmaj7, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The first chord is Bbm; the ear learns where home is within a second. The chords that keep coming back are Ab, Bbm, Gbmaj7, Ebm; read them as V–vi–IVmaj7–ii in Db or VII–i–VImaj7–iv in Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gbmaj7 → Ab (IVmaj7 → V in Db, VImaj7 → VII in Bbm): VI → VII — the rising step that heads for the tonic. The final chord is Ab; the ear comes to rest in Db.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Thebehz - Uçurum (Merve Yalçın) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Harfe (Hakan Gülbiten)Music: Harfe (Hakan Gülbiten)Arrangement: Özkan Meydan
Alican Özbuğutu
Alican Özbuğutu
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