Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Ozbi - Geceyi Anlatmış - Chord
Key G major – E minor Chords D, Em, C, Am, E Difficulty already in its easiest key
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Key: G | Em
Capo: 0
Em D Am C D Em
O yakınmadan, konuşmadan geceyi anlatmış
D Am C D Em
Geceyi anlatmış oo oo oo
D Am C D Em
Ses etmeden öylece geceyi anlatmış
D Am C D Em
Geceyi anlatmış oo oo oooo
Em D Am C D
Em D
Beni sor şu dolunayın ardına sor
Am C D
Yine bak yıldızlara benziyorum
Em D
O roman gibi yine bana yazdırıyor
Am C
Bak dolanıyor bu kafam ve alevini harlıyorum
Em
Hadi koş ona koş Oz
D
Sokağın içine bıçak gibi
Am
O pilot gece bi uçak gibi
C D Em
Rüzgarına kapılıp ışığa kavuşucak gibi
Em D
Koş, derdini anlar sadece ve yaşar seni
Am
O sonsuz gecenin ta kendisi
C
Tüm duyguların son raddesi
Em D Em
Onunlayken, yaşarsın bak harbiden
C D Em
Ayaklanmış, umutlar gibi
Em D Am
O yanındayken, hissedersin lan harbiden
C D E
Vazgeçilmez bi, hayalet gibi
Em D Am C D
Em
Sözü sona bırakan o, kimine kötü kadın kimine de frapan o
C Am
Hayat onu çizip duran bi gramafon, sanki apoleti sökülmüş bi komutan o
Em
Canı sonuna dek taşıyan o her halini korkmayıp yaşayan o
C Am
Suç olsada dertleri kaşıyan o ruhu bi yol gibi aşınan o
Em
Her deliliği sevilen o günü geceye götürüp yine getiren o
C Am
Her vagonu şiire konu bi tren o ve azını çoğunu buhara katarak süzülen o
Em
Direnen o her dedikoduya dayanıp direnen o
C Am
Her acıyı yüreğinde biriktiren o ve der ki hep sen anlamım ol
Em D Em
Onunlayken, yaşarsın bak harbiden
C D Em
Ayaklanmış, umutlar gibi
Em D Am
O yanındayken, hissedersin lan harbiden
C D E
Vazgeçilmez bi, hayalet gibi
End of song Play again?
Ozbi - Geceyi Anlatmış Tabs
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Harmony analysis
Ozbi – Geceyi Anlatmış: key and chord analysis
The song opens on Em and ends on E. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it opens on Em and Em is heard 24 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 16× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | — |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 18× |
| V | D | Dominant — strongest pull home | D · F# · A | 26× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 24× |
| V/ii | E | Secondary dominant V/ii — leads to Amsecondary dominant | E · G# · B | 2× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 24× |
| V/iv | E | Secondary dominant V/iv — leads to Amsecondary dominant | E · G# · B | 2× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv | Am | Subdominant — moves away from home | A · C · E | 16× |
| v | Bm | Minor dominant — soft pull | B · D · F# | — |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 18× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 26× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 86 times in total; 4 of them sit naturally inside the shared scale. E acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- D Em GV → videceptive cadence EmVII → iAeolian arrival ×12
- C D GIV → VIV → V EmVI → VIIVI → VII ×12
- Am Em Gii → vi Emiv → iminor plagal ×4
- C Em GIV → vi EmVI → iVI → i ×2
The move to watch is D → Em, heard 12 times. From the Em side it is VII → i (Aeolian arrival: rises a whole tone into home); from the G side it reads V → vi (deceptive cadence: expected G, lands on Em). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
Starting on Em, the song gives away its key from the very first bar. The chords that keep coming back are D, Em, C, Am; read them as V–vi–IV–ii in G or VII–i–VI–iv in Em. E adds a moment of surprise: secondary dominant V/ii — leads to Am. Keep an ear on D → Em (V → vi in G, VII → i in Em): Aeolian arrival — rises a whole tone into home. Ending on E, the song seals G as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ozbi - Geceyi Anlatmış Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: OzbiMusic: Ozbi
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