Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Kırık Pena - Bulutlara Ağıt - Chord
Key Db major – Bb minor Chords Gb, Db, F, Bbm, Ab Easy key C (capo 1)
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Key: Db | A#m | Bbm
Capo: 0
Gb Db F Bbm Ab
Gb Db F
Gb
Gecem kaçtığında
Db F
Güneş süzdüğünde beni
Bbm Ab
Ölü bir adamdım
Gb
Yaşam saçlarında
Db F
Aşk da gözlerinde ama
Bbm Ab
Tıkıldım kaldım
Gb
Tek kelimen yeter
Db F
Uçar tüm fikirler
Bbm Ab
Fakat bıraktın gittin
Gb
Bende kalan son şey
Db F
Bir tebessüm aşktan
Gb Db
Ben denizlere konuştum
F Bbm Ab
Yeter, mahvoldum artık
Gb Db
Bulutlar ile dövüştüm
F Bbm Ab
Yeter, yoruldum dağıldım
Gb Db
Ben denizlere konuştum
F Bbm Ab
Yeter, mahvoldum artık
Gb Db
Işıklarla boğuştum
F
Neden, oysa
Gb
Bir çocuk neşesi
Db F
Bir çiçek kokusu gibi
Bbm Ab
Güzel bir kadındı
Gb
Sonra ne olduysa
Db F
Terk edip de gitti beni
Bbm Ab
Yarımdan da azdın
Gb
Kanlar ellerimden
Db F
Umut gözlerimden
Bbm Ab
Akıp gitmişti
Gb Db
O güzel aşkın
F
Bırakıp gitti, fitti
Gb Db
Ben denizlere konuştum
F Bbm Ab
Yeter, mahvoldum artık
Gb Db
Bulutlar ile dövüştüm
F Bbm Ab
Yeter, yoruldum dağıldım
Gb Db
Ben denizlere konuştum
F Bbm Ab
Yeter, mahvoldum artık
Gb Db
Işıklarla boğuştum
F
Neden, yapma
End of song Play again?
Kırık Pena - Bulutlara Ağıt Tabs
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Harmony analysis
Kırık Pena – Bulutlara Ağıt: key and chord analysis
The song opens on Gb and ends on F. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
- #7 = A (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Db major and Bb minor because Db is heard 18 times against 13 for Bbm and the major V chord points straight at Bbm. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 18× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | — |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | — |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | 18× |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 18× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 13× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 13× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 13× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | 18× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | — |
| v | Fm | Minor dominant — soft pull | F · Ab · C | — |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | 18× |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 18× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 13× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 80 times in total; 4 of them sit naturally inside the shared scale. The major V of Bbm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Db, the same F is V/vi, a secondary dominant heading for Bbm.
Chord movement
- Gb Db DbIV → Iplagal cadence BbmVI → III ×18
- F Bbm DbV/vi → vi BbmV → iharmonic-minor cadence ×13
The move to watch is Gb → Db, heard 18 times. From the Db side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Bbm side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- When F comes, swap the scale's Ab for A: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
Starting on Gb, the song gives away its key from the very first bar. The chords that keep coming back are Gb, Db, F, Bbm; read them as IV–I–V/vi–vi in Db or VI–III–V–i in Bbm. F is the interesting twist: in Db it is a chromatic chord (V/vi), while in Bbm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Gb → Db (IV → I in Db, VI → III in Bbm): plagal cadence — the soft 'amen' ending. Ending on F, the song seals Db as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Kırık Pena - Bulutlara Ağıt Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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