Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Key G major – E minor Chords Em, C, D, Am, Bm Difficulty already in its easiest key
Em Ben ölsem koymaz, mahşer hep oğlun kokar Sen gitsen olmaz, kader kaderde yanar C Ev kira olsa da babam bana bakar Am Bm Vursan vurulurum ellerim kan ağlar Em Kaldırıp omzundan attığın çukurdayım Ben annenin döktüğü gözyaşıyındayım C Kaçsam köşeyi dönsem yine buradayım Am Bm Kaçmam en kötü mezar taşındayım Em D C Ben sussam sen duysan artık, bağıramam Em D C Savaştığın yolda seni, koruyamam Em D C Dur, sen gidersen yaşayamam, kadın Em D C Dur, gamzenin çukurunda, uyurum kadın Em D C Dur, sen gidersen yaşayamam, kadın Em D C Dur, gamzenin çukurunda, uyurum kadın Em Em D C Em Sen tüketeceksin diye kalmam anadan üryan İliklerimi sömürsen de çıkmam ulan buradan C En dibe çeksen de zirvedeki çelik tahttan Am Bm Korkmuyorum korkudan etrafımı saran pusudan Em Kredisi bitmiş dostluklar burada yoktur Çocuklar sokakta büyür adam olur C Her gün yeni düşman lazım aleme ibret olur Am Bm Kalp sevince değil yanınca yürek olur Em D C Ben sussam sen duysan artık, bağıramam Em D C Savaştığın yolda seni, koruyamam Em D C Dur, sen gidersen yaşayamam, kadın Em D C Dur, gamzenin çukurunda, uyurum kadın Em D C Dur, sen gidersen yaşayamam, kadın Em D C Dur, gamzenin çukurunda, uyurum kadın Em Bak gülüm benim kafam karmakarışık Tek gülle sarmaz güçsüz hep bu sarmaşık C Benim gönlüm gelene gidene bir hayli alışık Am Bm Dur gitme gece sonunda doğacak altın ışık Em D C Ben sussam sen duysan artık, bağıramam Em D C Savaştığın yolda seni, koruyamam Em D C Dur, sen gidersen yaşayamam, kadın Em D C Dur, gamzenin çukurunda, uyurum kadın Em D C Dur, sen gidersen yaşayamam, kadın Em D C Dur, gamzenin çukurunda, uyurum kadın
End of song Play again?
Harmony analysis
The song opens on Em and ends on C. Its chords belong to both G major and Em, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it opens on Em and Em is heard 25 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 5× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 5× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 24× |
| V | D | Dominant — strongest pull home | D · F# · A | 19× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 25× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 25× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv | Am | Subdominant — moves away from home | A · C · E | 5× |
| v | Bm | Minor dominant — soft pull | B · D · F# | 5× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 24× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 19× |
The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 78 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is C → Em, heard 18 times. From the Em side it is VI → i (VI → i: falls a half step into home); from the G side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The song is already written in its easiest key for guitar.
The first chord is Em; the ear learns where home is within a second. The backbone is Em, C, D, Am — vi–IV–V–ii from the G side, i–VI–VII–iv from the Em side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on C → Em (IV → vi in G, VI → i in Em): VI → i — falls a half step into home. Ending on C, the song seals G as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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