Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Bad Bunny - Dakiti (Jhay Cortez) - Chord
Key G major – E minor Chords C, Am, Em, D Difficulty already in its easiest key
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Key: G | Em
Capo: 0
C Am Em D
C Am
Baby, ya yo me enteré, se nota cuando me ve'
Em D
Ahí donde no has llega'o sabe' que yo te llevaré
C Am
Y dime qué quiere' beber, es que tú ere' mi bebé
Em D
¿Y de nosotro' quién va a hablar? Si no nos dejamo' ver
C
Y a vece' e' Dolce, a vece' Bulgari
Am
Cuando te lo quito despué' de lo' partie'
Em
Las copa' de vino, las libra' de mari
D
Tú estás bien suelta, yo de safari
C
Tú muevе' el culo fenomenal
Am
Pa' yo dеvorarte como animal
Em
Si no te ha' venío', yo te vo'a esperar
D
En mi cama y lo vo'a celebrar
C
Baby, a ti no me opongo
Am
Y siempre te lo pongo
Em D
Y si tú me tira', vamo' a nadar en lo hondo
C
Si e' por mí te lo pongo
Am
De septiembre hasta agosto
Em
A mí sin cojone' a lo que digan tu' amiga'
C Am
Ya yo me enteré, se nota cuando me ve'
Em D
Ahí donde no ha' llega'o sabe' que yo te llevaré
C Am
Y dime qué quiere' beber, e' que tú ere' mi bebé
Em D
¿Y de nosotro' quién va a hablar? Si no nos dejamo' ver (¿Me sigue'?)
C
Mami, me tiene' juquea'o, sí
Am
Si fuera' la Uru', me tuviese' parquea'o
Em D
Dando vuelta' por Condado, contigo siempre arrebata'o
C
Tú no ere' mi señora, pero
Am
Toma cinco mil, gástalo en Sephora
Em
Louis Vuitton, ya no compra en Pandora
D C
Como piercing, a los hombre' perfora, eh-eh-eh
Am Em
Hace tiempo le rompieron el cora (El cora)
D C
Estudiosa, puesta pa' ser doctora (Doctora)
Am Em
Pero (Pero), le gustan los títere' wheeleando motora (Motora)
D
Yo estoy pa' ti las veinticuatro hora'
C
Baby, a ti no me opongo
Am
Y siempre te lo pongo (-pre te lo pongo)
Em D
Y si tú me tira', vamo' a nadar en lo hondo (Nadar en lo hondo)
C
Si es por mí te lo pongo
Am
De septiembre hasta agosto
Y a mí sin cojone' lo que digan tu' amiga'
C Am
Ya yo me enteré, se nota cuando me ve'
Em D
Ahí donde no ha' llega'o sabe' que yo te llevaré
C Am
Y dime qué quiere' beber, e' que tú ere' mi bebé
Em D
¿Y de nosotro' quién va a hablar? Si no nos dejamo' ver
C
Y a vece' e' Dolce, a vece' Bulgari
Am
Cuando te lo quito despué' de lo' partie'
Em
Las copa' de vino, las libra' de mari
D
Tú estás bien suelta, yo de safari
C
Tú muevе' el culo fenomenal
Am
Pa' yo dеvorarte como animal
Em
Si no te ha' venío', yo te vo'a esperar
D
En mi cama y lo vo'a celebrar
C Am Em D
End of song Play again?
Bad Bunny - Dakiti (Jhay Cortez) Tabs
NotesX
Harmony analysis
Bad Bunny – Dakiti (Jhay Cortez): key and chord analysis
The song opens on C and ends on D. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because Em is heard 19 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 20× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | — |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 20× |
| V | D | Dominant — strongest pull home | D · F# · A | 18× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 19× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 19× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv | Am | Subdominant — moves away from home | A · C · E | 20× |
| v | Bm | Minor dominant — soft pull | B · D · F# | — |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 20× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 18× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 4 different chords appear 77 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Am Em Gii → vi Emiv → iminor plagal ×19
The move to watch is Am → Em, heard 19 times. From the Em side it is iv → i (minor plagal: deep and melancholic); from the G side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
Starting on C, the song gives away its key from the very first bar. C, Am, Em, D carry the song: IV–ii–vi–V relative to G, VI–iv–i–VII relative to Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am → Em (ii → vi in G, iv → i in Em): minor plagal — deep and melancholic. The final chord is D; the ear comes to rest in G.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Bad Bunny - Dakiti (Jhay Cortez) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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