Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Malt - Deprem - Chord
Key F major – D minor Chords Dm, Bb, Gm, Dsus2, F5, G5, C#sus2, Csus2 … Easy key G
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Key: F | Dm
Capo: 0
Bb Bb Gm Gm
Dm Dm Dm Dm Bb Bb Gm Gm
intro solo
Riff
Dm Bb
Sallandık diyorum, merkezini bilmiyorum
Gm Dm
Sokağa fırlamadım, duruyorum
Bb
Senden bir açıklama gelmeden
Gm
Ben bu evi terketmiyorum
Dm Bb
Tehlikeleri düşündüm önceden
Gm Dm
Ama bölge sakattı zaten
Bb
Senden bir açıklama gelmeden
Gm
Çaresizim biliyorum
Dm Dm Dm Dm
Riff
Dm
Hayatıma asma bir kat yaptım
Bb Gm
Yeni bir aşk bir de çek-yat kattım
Dm
Tam mutlu olurum burda derken
Bb Gm
3.1'e bile dayanamadı, tepeme yıkıldı
Dm Bb
Çatlak olabilirim belki, hafiften
Gm Dm
Sallanıyorsam işte bu yüzden
Bb
Senden bir açıklama gelmeden
Gm
Kırılmam biliyorum
Dm Bb
Herkes panik oldu, kimisi korktu
Gm Dm
Kimisi yaşamıştı biliyordu
Bb
Ama hepsi hep bir ağızdan
Gm
"Sakin ol" diyordu
Dm
Hayatıma asma bir kat yaptım
Bb Gm
Yeni bir aşk bir de çek-yat kattım
Dm
Tam mutlu olurum burda derken
Bb Gm
3.1'e bile dayanamadı, tepeme yıkıldı
Ara riff
Dsus2 C#sus2 Csus2 Bsus2
Dsus2 Esus2 Fsus2 Gsus2
F5 F5 G5 G5 Dm Bb Gm
Dm Bb Gm
Bir gün aniden
Dm
Kriz masasında içerken
Bb Gm
Richter'den konuşurken
Dm
Aşk biter
Bb Gm
Yenisi gelir, eskisinden beter
Dm
Hayatıma asma bir kat yaptım
Bb Gm
Yeni bir aşk bir de çek-yat kattım
Dm
Tam mutlu olurum burda derken
Bb Gm
3.1'e bile dayanamadı, tepeme yıkıldı
End of song Play again?
Malt - Deprem Tabs
intro solo
E---------------------------------|---------------------------------|
B---------------------------------|---------------------------------|
G---7-7-7-7-----------------------|---------------------------------|
D-----------7-7-7-5-7-7-7-8-7-7-7-|---------------------------------|
A-5-------------------------------|-8-8-8-8-8-8-8-8-7-7-7-7-7-7-7-8-|
E---------------------------------|---------------------------------|
E----------------------------------|-----------------------------------|
B----------------------------------|-----------------------------------|
G---7-7-7-7------------------------|-----------------------------------|
D-----------7-7-7--5-7-7-7-8-7-7-7-|-----------------------------------|
A-5--------------------------------|-8-8-8-8-8-8-8-8-7-7-7-7-7-7-8-7-5-|
E----------------------------------|-----------------------------------|
Riff
Dm Bb Gm
E-----------|-----------|----------|
B-----------|-----------|----------|
G-----------|-----------|----------|
D-----------|-----3-2-3-|----5-3-5-|
A-5-5-3-5-5-|-1-1-------|-3-3------|
E-----------|-----------|----------|
x4 x2 x2
Ara riff
Dsus2 C#sus2 Csus2 Bsus2
E-------|-------|-------|-------|
B-------|-------|-------|-------|
G---7---|---6---|---5---|---4---|
D---7---|---6---|---5---|---4---|
A---5---|---4---|---3---|---2---|
E-------|-------|-------|-------|
----------------x2--------------
Dsus2 Esus2 Fsus2 Gsus2 F5 G5
|-------|-------|-------|-------|-------|-------|
|-------|-------|-------|-------|-------|-------|
|---7---|---9---|---10--|---12--|-------|-------|
|---7---|---9---|---10--|---12--|---10--|---12--|
|---5---|---7---|---8---|---10--|---8---|---10--|
|-------|-------|-------|-------|-------|-------|
Solo
E---------------------------------|-----------------------------------|
B---------------------------------|-----------------------------------|
G---7-7-7-7-----------------------|-----------------------------------|
D-----------7-7-7-5-7-7-7-8-7-7-7-|-----------------------------------|
A-5-------------------------------|-8-8-8-8-8-8-8-8-7-7-7-7-7-7-8-7-5-|
E---------------------------------|-----------------------------------|
Bb5
E-----------------|-------------------------|-----|---------------------------|
B-----------------|-------------------------|-----|---------------------------|
G---7-7-7-7-------|-------------------------|-----|---------------------------|
D-----------7-7-7-|-------------------------|--8--|-5-5-5-0-3-5-5-5-5-0-3-5---|
A-5---------------|-------------------------|--8--|-------------------------5-|
E-----------------|-3-x-x-5-x-x-6-x-x-5-x-x-|--6--|---------------------------|
NotesX
Harmony analysis
Malt – Deprem: key and chord analysis
The song opens on Bb and ends on Gm. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because Dm is heard 26 times against 3 for F. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F5 | Tonic — home | F · C | 2× |
| Isus2 | Fsus2 | Tonic — home | F · G · C | 1× |
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 22× |
| II | G5 | Supertonic — prepares the dominant | G · D | 2× |
| IIsus2 | Gsus2 | Supertonic — prepares the dominant | G · A · D | 1× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | — |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 22× |
| #IVsus2 | Bsus2 | Chromatic colour chordoutside the key | B · C# · F# | 1× |
| Vsus2 | Csus2 | Dominant — strongest pull home | C · D · G | 1× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| bVIsus2 | C#sus2 | Chromatic colour chordoutside the key | C# · D# · G# | 1× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 26× |
| VIsus2 | Dsus2 | Relative minor — the melancholy side | D · E · A | 2× |
| VIIsus2 | Esus2 | Leading-tone chord — tension | E · F# · B | 1× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 26× |
| Isus2 | Dsus2 | Tonic — home | D · E · A | 2× |
| IIsus2 | Esus2 | Supertonic — prepares the dominant | E · F# · B | 1× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F5 | Relative major — the bright side | F · C | 2× |
| IIIsus2 | Fsus2 | Relative major — the bright side | F · G · C | 1× |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 22× |
| IV | G5 | Subdominant — moves away from home | G · D | 2× |
| IVsus2 | Gsus2 | Subdominant — moves away from home | G · A · D | 1× |
| v | Am | Minor dominant — soft pull | A · C · E | — |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 22× |
| #VIsus2 | Bsus2 | Chromatic colour chordoutside the key | B · C# · F# | 1× |
| VIIsus2 | Csus2 | Subtonic — steps back to the tonic | C · D · G | 1× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
| #VIIsus2 | C#sus2 | Chromatic colour chordoutside the key | C# · D# · G# | 1× |
Analysis
The key pair is F major and its relative D minor (1 flat). 12 different chords appear 82 times in total; 10 of them sit naturally inside the shared scale. C#sus2, Bsus2 step outside the scale as colour chords.
Chord movement
- Gm Dm Fii → vi Dmiv → iminor plagal ×18
The move to watch is Gm → Dm, heard 18 times. From the Dm side it is iv → i (minor plagal: deep and melancholic); from the F side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 2 semitones up
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
The opening Bb lays a solid floor for everything that follows. The backbone is Dm, Bb, Gm, Dsus2 — vi–IV–ii–VIsus2 from the F side, i–VI–iv–Isus2 from the Dm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gm → Dm (ii → vi in F, iv → i in Dm): minor plagal — deep and melancholic. It closes on Gm, letting the F side have the last word. The lyric sheet marks 2 section types, so the same chord pattern returns in a clear, predictable order.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Malt - Deprem Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Cenk DurmazelMusic: Malt
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